EXPEND4BLES (2023)

Armed with every weapon they can get their hands on, the Expendables are the world's last line of defence and the team that gets called when all other options are off the table.

For nearly fifteen years, The Expendables franchise has defied the odds, offering employment to Hollywood's ageing action icons. In Expend4ables, directed by Scott Waugh and featuring an ensemble cast of action stars, the formula of high-octane action, witty banter, and larger-than-life characters continues.

Expend4ables plunges our band of mercenaries into a perilous mission: thwarting a group of commandos, led by the enigmatic Ocelot, from stealing nuclear warheads. Ocelot's grand scheme to profit from igniting World War III remains somewhat unclear. The mission takes a dramatic turn, leading to the expulsion of Lee Christmas, portrayed by Jason Statham, Barney's trusted lieutenant.

The Expendables are renowned for their uncompromising approach to meting out justice, often accompanied by terse one-liners. This time around, the leading duo of Sylvester Stallone and Jason Statham is joined by familiar faces like Dolph Lundgren and Randy Couture, alongside newcomers such as 50 Cent, Tony Jaa, and Jacob Scipio. The film introduces Megan Fox and Levy Tran as Expendabelles, skilled fighters who, unfortunately, serve primarily as eye candy.

What sets Expend4ables apart is its unapologetic embrace of its own absurdity. The film straddles the line between dark humour and wild action, all while acknowledging its own over-the-top nature. While close-combat sequences are frequent and feature kicks, flips, and flashing blades, the choreography lacks finesse.

After an ensemble-heavy opening act, the movie's focus shifts predominantly to Jason Statham. This change might disappoint some fans, given that the franchise has long been synonymous with Sylvester Stallone. Statham's performance shines, but it highlights a recurring trend of his involvement in underdeveloped and poorly scripted productions.

Megan Fox's character attempts to inject an element of female empowerment and allure into the film. Regrettably, these efforts fall flat due to a lack of depth in her acting. The film's portrayal of her character hearkens back to an earlier era when women were often relegated to the role of mere props.

The fight sequences suffer from lacklustre choreography and frenetic editing, making them challenging to follow. Despite its relatively short runtime of around 100 minutes, the film's plot feels shallow, with stilted dialogue and one-liners delivered without the needed charisma. Character dynamics rely heavily on tired clichés.

Expend4ables caters to action enthusiasts who relish deafening shootouts and fiery explosions. It caters to an adolescent fantasy, prioritizing action over the exploration of adult themes or complex relationships. While the series initially exuded a nostalgic charm, uniting action legends from the '80s and '90s, it has gradually lost its way. The absence of familiar faces like Arnold Schwarzenegger and Bruce Willis is palpable.

Despite its shortcomings, Expend4ables finds its groove in an engaging middle section, focusing on Lee Christmas' Die Hard-like escapades aboard a massive cargo ship. The action in this segment, including an exhilarating motorcycle chase, elevates the overall experience.

Jason Statham's charismatic portrayal of Lee Christmas carries the film, particularly during Stallone's absence. Their chemistry is sorely missed when Stallone is relegated to a supporting role, but this shift was necessary for the franchise's evolution.

In the end, Expend4ables may not fully capture the original essence of the franchise, but it remains a decent action film for those seeking a dose of violence and explosions. While it may not reach the heights of its predecessors, it delivers an entertaining, albeit chaotic, experience.

Expendables 4 was released in NZ cinemas on October 5, 2023

THE NUN II (2023)

In 1956 France, a priest is violently murdered, and Sister Irene begins to investigate. She once again comes face-to-face with a powerful evil.

In the ever-expanding world of The Conjuring, The Nun II emerges as an above-average addition that navigates the complexities of its cinematic lineage admirably. Under the direction of Michael Chaves and featuring a talented ensemble cast led by Taissa Farmiga, Jonas Bloquet, and Storm Reid, this sequel strikes a fine balance between supernatural horror and character-driven storytelling.

Rather than getting entangled in the intricacies of the Conjuring universe, the film presents a self-contained narrative while still acknowledging its ties to previous installments. Positioned as a distant prequel to the original The Conjuring, it follows the compassionate Sister Irene (played by Taissa Farmiga) as she seeks solace in a secluded abbey, where she mentors young nuns, including the spirited Sister Debra (Storm Reid). However, when a call for help comes from Rome, Sister Irene must once again confront satanic malevolence.

The Nun II unfolds like a classic horror film from the 1960s, embracing a deliberate pace reminiscent of the genre's early days. The story is divided into two distinct segments. In the first, Irene and Debra investigate a series of gruesome deaths seemingly linked to the supernatural influence of the demon Valak. The second half introduces Maurice (Jonas Bloquet), a handyman who played a role in defeating Valak previously and now works at St. Mary's Boarding School for Girls, a converted monastery.

Chaves skillfully juggles these parallel storylines, with the anticipation that Irene and Maurice will eventually reunite to confront Valak anew. The demon, as expected, retains its sinister charm, toying with its victims before dispatching them in gruesome fashion.

One of the film's merits lies in its technical prowess, with exceptional production values enhancing the overall experience. Anna Downey, portraying Sophie, the daughter of the school's primary educator, Kate (Anna Popplewell), delivers a captivating performance and shares a subtly moving father-daughter bond with Maurice. Downey's presence captivates the audience, and Chaves wisely keeps the spotlight on her whenever possible.

While The Nun II may be perceived as somewhat disorganized by some viewers, it nevertheless remains an engaging horror film that effectively conveys an atmosphere of tension. The fear and vulnerability of the characters are unmistakable, and the film strikes a balance between employing cheap jump scares and cultivating moments of genuine dread. It's these latter instances that yield some of the franchise's most unsettling sequences, leaving a lasting impression on the audience.

Despite its familiarity, Valak's presence manages to induce unease, courtesy of the original character design and Bonnie Aarons's compelling performance. The film knows when to inject moments of lightheartedness but predominantly maintains a serious tone, adhering to the expected trajectory of a horror movie.

In the end, The Nun II excels in creating an atmospheric setting, leveraging the eerie backdrop of old European buildings in the 1950s. The film's opening sequence, featuring the gruesome demise of a priest, alerts the Vatican to the resurgence of the evil Irene had previously thwarted.

While the film occasionally follows well-worn paths with characters navigating dimly lit rooms and alleys, Michael Chaves's direction and Tristan Nyby's cinematography succeed in generating a chilling sense of suspense and tension in the eerie scenes. Once again, Bonnie Aarons commands attention with her sheer physical presence, further enhancing the film's eerie ambiance.

The Nun II may not revolutionize the horror genre, but it offers an enjoyable and suspenseful viewing experience. It combines impressive visuals, a compelling narrative, and relatable characters to create a sequel that stands as a respectable addition to the Conjuring universe. While it doesn't break new ground, it effectively delivers scares and maintains an atmosphere of dread that will keep audiences engrossed.

The Nun II was released in NZ cinemas on September 7, 2023

ONE PIECE - SEASON 1 (2023)

 

In a seafaring world, a young pirate captain sets out with his crew to attain the title of Pirate King, and to discover the mythical treasure known as 'One Piece.'

Creators Steven Maeda and Matt Owens have undertaken the monumental task of adapting the beloved Japanese manga and anime, and for Netflix, a platform not universally renowned for its success in this realm. However, One Piece stands out as a shining exception, proving that even amidst scepticism, there is room for triumph.

At the heart of the series is Monkey D. Luffy, portrayed by Iñaki Godoy, a character who embodies unwavering optimism and a carefree spirit. Netflix's adaptation does justice to this iconic character, delivering an exuberant and charismatic performance that is both endearing and infectious.

Luffy's journey to assemble his own crew is a central theme of the series, and it brings together a diverse group of characters, each with their own unique attributes and quirks. From the brooding Zoro to the cunning Nami, the puppy-like Usopp, and the suave cook Sanji, their interactions and adventures unfold like a carefully orchestrated symphony.

One cannot overlook the extensive lore drawn from the original source material. The series is replete with elements that avid fans of the manga will find satisfyingly familiar. The visual aesthetics faithfully capture the essence of the world created by Eiichiro Oda, complete with meticulously choreographed fight sequences.

Of course, it must be acknowledged that the stretchy superpowers of Luffy, while true to the source, may at times challenge the boundaries of believability. Nevertheless, the overall tone maintains a whimsical and fantastical quality, with a touch of cartoonish violence that retains its charm.

The critical question arises: Is One Piece accessible to those uninitiated in the original manga? The answer is an affirmative one. At its core, a pirate adventure is a universally appealing concept, transcending the boundaries of prior familiarity. This series proves that the allure of high-seas escapades is a language spoken and appreciated by all.

Showrunners Matt Owens and Steven Maeda demonstrate a profound reverence for the source material and its central theme of found family. This theme is explored comprehensively through the winding and episodic journeys of the characters. Their path is strewn with side quests, detours, and internal perils, allowing ample time for viewers to become intimately acquainted with the Straw Hat Crew and their shared dream.

The visual representation of the One Piece world is nothing short of impressive. The painstaking attention to detail is evident in the instantly recognizable aesthetics, mirroring the manga's visual style. However, there are moments when the vibrancy and vivacity one might expect are muted and muddled, a minor quibble in light of the series' overall merits.

Yet, the production exudes a profound sense of love for the source material. Adapting a fantastical story to live-action is no small feat, and One Piece embraces this challenge wholeheartedly. The dedication to preserving the essence of the original property is commendable and results in a series that feels authentic and true.

One of the standout aspects of the series is the perfectly cast crew. Luffy, in particular, is portrayed as a multifaceted character, possessing political acumen alongside his jovial nature. His crew members are brought to life with meticulous attention to detail, from their costuming and makeup to the design of their respective environments. This harmonious blend of idiosyncrasy and unity contributes to the series' success.

Luffy's quest is not without its obstacles, with the relentless pursuit of the Marines serving as a recurring threat. However, what truly sets Luffy apart is his ability to forge meaningful connections and gather dedicated friends on his journey. The series emphasizes the importance of friendship and camaraderie, reinforcing the central theme of found family.

The simplicity of One Piece is a breath of fresh air. The characters express themselves directly, without unnecessary subterfuge, embodying a candid and honest approach to relationships. This straightforwardness is a refreshing departure from more convoluted narratives.

The dedication to manga authenticity is also evident in the series' visuals, where eccentricities such as the use of large snails as an inter-ocean phone service and the presence of characters resembling animals are seamlessly integrated into the narrative. The overall light-hearted tone underscores the series' commitment to capturing the manga's spirit.

From the very first episode, One Piece establishes an engaging and adventurous narrative. The characters are witty and endearingly quirky, delivering humorous dialogue that retains the essence of the source material. While some lines may come across as cheesy, they are in keeping with the anime's penchant for whimsy.

The plot maintains a brisk pace, adhering to the shonen villain-of-the-week format while swiftly advancing the overarching narrative. The characters, almost without exception, are well-rounded and faithful to their manga origins, rendering them relatable and compelling. The inclusion of over-the-top fight scenes is seamlessly woven into the series, adding an exciting dimension to the story.

One Piece emerges as a faithful and captivating adaptation that pays homage to its source material while standing firmly on its own merits. The series demonstrates the commitment of its showrunners to translate the beloved manga into a live-action format with meticulous care and attention to detail. 

One Piece is a swashbuckling adventure that appeals to both long-time fans and newcomers, offering a family-friendly and exhilarating journey on the high seas.

One Piece was released on Netflix on August 31, 2023

UNA FEMMINA - THE CODE OF SILENCE (2022)

Rosa is a young rebel girl who lives with her grandmother and her uncle in a remote part of Calabria, in Southernmost Italy. Her mother's untimely death when Rosa was a child casts a gloomy shadow on her present life. 

Una Femmina - The Code of Silence is a tense and compelling film directed by Francesco Costabile, making his debut in the director's chair. The screenplay, penned by Lirio Abbate, Edoardo De Angelis, and Serena Brugnolo, exhibits a commendable level of craftsmanship. The cast, led by Lina Siciliano, Fabrizio Ferracane, and Anna Maria De Luca, delivers outstanding performances that elevate the narrative.

The film's central theme is succinctly captured by the quote, "Men are our misfortune". Drawing inspiration from Lirio Abbate's book "Rebel Women," the story revolves around Rosa, portrayed by Lina Siciliano, a young woman burdened by the haunting memories of her missing mother and the stifling silence of a family unwilling to confront rebellion.

Francesco Costabile adeptly constructs a thriller filled with moments of heightened tension, many of which are anchored by Lina Siciliano's impeccable portrayal of Rosa. While the pacing is not breakneck, the deliberate omission of certain scenes underscores the director's intent to demand the viewer's undivided attention. Most of the film unfolds within confined indoor spaces, creating a palpable sense of isolation and captivity. The judicious use of a desaturated colour palette further contributes to the film's sombre atmosphere.

Beyond its suspenseful narrative, The Code of Silence serves as a stark denouncement of the actions of the 'ndragheta, a notorious criminal organization, and the societal issues that arise from their pervasive presence in certain communities. At its core, the film explores the pivotal role played by women within these structures, whether actively supporting their operations or, in some cases, challenging the oppressive status quo through acts of rebellion.

What distinguishes The Code of Silence is Rosa's precarious position within a system dominated by her uncle, Salvatore Romeo (Fabrizio Ferracane), who serves as both the family patriarch and the criminal organization's leader. The complicity of the women in the family, who enforce silence and obedience, adds a layer of complexity to Rosa's struggle.

Set against the backdrop of Southern Italy, the film introduces us to Rosa, a defiant woman living with her grandparents and uncle in a remote region of Calabria. The farm where Rosa resides is the same place where her mother met a premature demise, casting a long shadow over her present. Her trauma is further compounded by the persistent violence and abuse she endures.

The Code of Silence draws inspiration from real events, lending authenticity to its narrative. Lina Siciliano's portrayal of Rosa, a character-driven by a thirst for vengeance yet marked by a quiet determination, has garnered widespread acclaim.

In terms of style, the film straddles the genres of psychological horror, melodrama, and thriller, seamlessly blending these elements to create a narrative that feels polished and mainstream, rather than gritty and raw. However, in its haste to conclude the story, the film leaves certain details unexplored, particularly the motivations behind the chief mafioso's interest in Rosa, despite her role in triggering conflict.

The film excels in depicting a culture seemingly frozen in time, where violence is an integral part of daily life. In such remote and arid landscapes, the harsh realities of extortion and racketeering shape the lives of its inhabitants, compelling ordinary men to assume the role of petty tyrants within their households.

The Code of Silence deviates from conventional gangster film tropes in several ways. There are no opulent lifestyles here; instead, Rosa's family operates a modest farm in the rugged terrain of Calabria. This setting amplifies the menace of Salvatore, Rosa's uncle, who is portrayed by Fabrizio Ferracane as a volatile and unpredictable figure. Ferracane's commanding presence on screen effectively conveys the tension that fills the room whenever Salvatore is present.

The film also subverts expectations by emphasizing the pivotal role of Rosa's grandmother (Anna Maria De Luca) and Rosa herself in uncovering family secrets and taking matters into their own hands. This departure from the conventional gangster film formula adds depth and intrigue to the narrative.

What makes The Code of Silence particularly effective is its gradual escalation of tension. As Rosa's suspicions grow, so does the suspense. Her strained interactions with family members convey the gravity of even minor missteps, all without the need for explicit exposition. Lina Siciliano's portrayal skillfully conveys Rosa's complex emotions, whether she is resolute and stoic or trembling with fear. It is a powerful performance that elicits genuine concern for Rosa's safety and a desire to see her break free from her family's shackles.

In its denouement, The Code of Silence delivers an unexpected conclusion, which, while not entirely satisfying, leaves the viewer with a sense of cautious optimism.

The Code of Silence is a gripping and thought-provoking thriller that maintains its hold on the audience from beginning to end. With a stellar cast, a compelling story, and a fresh take on the gangster genre, this film is a must-see for those seeking a cinematic experience that challenges conventions and explores the intricate dynamics of family, silence, and rebellion.

The Code of Silence was in selected theatres from July 27, 2023, as part of the Italian Film Festival

THE TASTING (2022)

Divorced from the gruff type, Jacques runs a small wine cellar on the verge of bankruptcy. Hortense, determined not to end up an old maid, enters his shop one day and registers for a tasting workshop. 

The Tasting is a heartfelt and charming cinematic gem that leaves a lasting impression thanks to the skilful craftsmanship of director and writer Ivan Calbérac. Adapted from his own play, this film brings to life a captivating story with a dose of love, humour, and tenderness that resonates with audiences.

At its core, The Tasting introduces us to Hortense, portrayed by the talented Isabelle Carré, a midwife with an unbridled passion for the babies she helps bring into the world. On the other side of the story is Jacques, played by Bernard Campan, the owner of a local wineshop facing financial woes and forced to confront his addiction to alcohol due to a medical issue. Their paths intersect when Jacques takes on Steve, portrayed by Mounir Amamra, an intern from a challenging background who opens up new perspectives for both Jacques and Hortense.

The film skillfully explores the dynamics of these characters, with Jacques teaching Steve about the world of wine, and in turn, Steve shedding light on Hortense's feelings for Jacques. The result is a series of awkward and endearing moments that each character must navigate as they grapple with their own personal challenges.

While The Tasting delves into some more serious themes, it maintains a harmonious balance that prevents the audience from being overwhelmed by sadness. Instead, it offers a rich blend of emotions, including joy, humour, and tenderness. The film's ability to handle serious issues such as grief, addiction, and childlessness with a light touch is a testament to Calbérac's adept storytelling.

Beneath the surface of this heartwarming tale, there's an undercurrent of tragedy that adds depth to the romance. The film does not shy away from exploring the complexities of its characters, allowing them to grapple with their own demons while forging connections with one another.

While the side stories within the film could have been explored more thoroughly, the main arc maintains enough tension to keep viewers engaged. The character of Steve, in particular, shines as he injects youthfulness and an outsider's perspective into the narrative. His presence adds a meta layer to the story, playfully poking fun at the quirks and idiosyncrasies of the main characters.

Visually, The Tasting is a treat, with charmingly shot scenes set in warm and inviting environments. The film's simplicity is its strength, as it relies on the genuine interactions and emotions of its characters to captivate the audience.

The Tasting is a masterfully crafted film that combines the flavours of love, humour, and tenderness into a delightful cinematic experience. Ivan Calbérac's crisp script and direction bring out the best in the talented cast, allowing them to explore the complexities of their characters with grace and authenticity. While the film touches on serious themes, it does so with a light touch, making it a heartwarming and emotionally resonant story. 

The Tasting is a testament to the power of storytelling to navigate the depths of human emotions while leaving a warm and lasting impression.

The Tasting is in NZ cinemas from September 28, 2023

THEATER CAMP (2023)

Eccentric staff members of an upstate New York theatre camp must band together when their beloved founder falls into a coma. 

Theater Camp is a delightful and heartwarming cinematic experience that celebrates the passion for performance and the magic of the stage. Directed and co-written by the talented duo of Molly Gordon and Nick Lieberman, this film brings to life the vibrant world of a children's theatre camp in upstate New York, offering a charming mix of satire and affectionate homage.

At its core, Theater Camp taps into the primal urge that many share – the unquenchable desire to step onto a stage and express ourselves through the art of acting. The film adopts a comic mockumentary style, immediately drawing viewers into the colourful and quirky world of this summer camp dedicated to the dramatic arts.

The story kicks off with a crisis as the camp's beloved founder, Joan Rubinsky (played by the talented Amy Sedaris), falls ill, necessitating a change in leadership. Joan's son, Troy, portrayed by Jimmy Tatro, steps into her shoes with mixed results, setting the stage for an entertaining and sometimes tumultuous journey.

What truly makes Theater Camp shine is its exceptional ensemble cast, who infuse the film with boundless enthusiasm and genuine charm. Ben Platt and Molly Gordon, who play camp counsellors Amos and Rebecca-Diane, bring authenticity and depth to their roles. Noah Galvin joins the ensemble, adding to the film's genuine feel and emotional resonance.

One of the film's standout features is its ability to appeal to both theatre aficionados and those less acquainted with the world of drama. Janet, portrayed by Ayo Edebiri, serves as a relatable surrogate for the non-theatre kid audience, adding an element of humour and authenticity to the story.

The film cleverly navigates the single-minded dedication of the camp counsellors to the sacred act of artistic creation, even as they remain blissfully oblivious to the looming foreclosure threatening their beloved camp. Jimmy Tatro's portrayal of Troy, Joan's crypto-fanatic vlogger son, adds a humorous dimension to the narrative with his quirky antics and penchant for acronyms.

Throughout the film, moments of laughter abound, thanks to the cleverly crafted one-liners and the outstanding performances of the cast. The improvisational approach taken by the filmmakers adds a gentle and sweet touch to the humour, making it all the more endearing.

Beneath its humour and satire, Theater Camp carries a deeper message of encouragement for young people to embrace their individuality and be proud of their quirks. It serves as a heartwarming love letter to theatre kids, assuring them that it's perfectly acceptable to be different and that there's a community of like-minded individuals ready to welcome them with open arms.

Theater Camp is a film that balances self-deprecating satire with a profound love for the theatre community. It brilliantly captures the essence of the theatre world while delivering a message of self-acceptance and celebrating the beauty of being unique. With its witty script, well-executed direction, and a cast that exudes passion, this film is a delightful and heartening experience for audiences of all backgrounds. It's a reminder that the world of theatre is a place where dreams come alive, and where misfits find their true home.

Theater Camp was released in NZ cinemas from September 7, 2023

ASTEROID CITY (2023)

World-changing events spectacularly disrupt the itinerary of a Junior Stargazer/Space Cadet convention in an American desert town circa 1955. 

The highly anticipated film, Asteroid City, directed by the renowned Wes Anderson and co-written by Anderson and Roman Coppola, features a star-studded cast including Jason Schwartzman, Edward Norton, Margot Robbie, Scarlett Johansson, Adrien Brody, Willem Dafoe, Bryan Cranston, Jeff Goldblum, and Tom Hanks. Despite the pedigree associated with this creative team and cast, Asteroid City leaves you with a sense of disappointment, as it ventured into a realm of artistic complexity that felt overly convoluted.

Anderson's distinct visual style is immediately apparent in this film, with its predominantly pastel palette and meticulous framing. The characters in this cinematic world almost seem engulfed by the vibrant desert landscape that surrounds them, creating a striking visual experience. However, this arresting visual aesthetic tends to overshadow the narrative substance of the film.

The core narrative of Asteroid City is perplexing and challenging to follow. The story is framed within a play within a play, with Edward Norton portraying Conrad Earp, a New York playwright. The film oscillates between black-and-white sequences that delve into the creation and staging of the play and the colourful desert setting, where the fictional town of Asteroid City comes to life. This intricate narrative structure prompts questions about its purpose and relevance to the overarching storyline.

The central plot revolves around a gathering of Science Kids attending a convention in the desert near the eponymous space rock. However, it becomes evident that these young enthusiasts are not the sole interested parties in this peculiar desert setting. The film's storyline is multi-layered, and viewers must engage in multiple viewings to fully decode its complexities. While Wes Anderson is known for his unique storytelling style, Asteroid City pushes the boundaries of narrative complexity to the point of bewilderment.

Additionally, the film employs black-and-white cinematography to capture the meta-moments during the play's creation, contrasting with the vibrant colours used in the play's events. This stark visual contrast accentuates the film's artistic intentions but does little to clarify its intricate narrative. Humour and deadpan comedy are integral aspects of Wes Anderson's films, and Asteroid City leans heavily on these elements. 

The film boasts a substantial ensemble cast, a hallmark of Anderson's works, unfortunately, the large ensemble cast results in some characters getting lost amidst the multiple narrative layers, which can disrupt the film's overall coherence. Subplots, while individually intriguing, fail to adequately contribute to the overarching narrative, leading to deliberate pacing that often feels slow.

The film's narrative is thought-provoking but overshadowed by its visually arresting aesthetics. Asteroid City may not attract new enthusiasts, but underscores Wes Anderson's commitment to originality and distinctiveness within the cinematic landscape.

Asteroid City is a visually captivating yet narratively labyrinthine film. It challenges viewers with its layered storytelling and pushes the boundaries of how complex a simple story can be. One can only hope that in future endeavours, Anderson will strike a more harmonious balance between his remarkable visual style and his storytelling. Until then, Asteroid City remains an intriguing curiosity within the filmmaker's repertoire—a peculiar, colourful, and confounding cinematic journey.

Asteroid City was released in NZ cinemas from August 10, 2023