THAT TIME I GOT REINCARNATED AS A SLIME THE MOVIE: TEARS OF THE AZURE SEA (2026)

Rimuru and friends visit Celestial Emperor Hermesia's resort island after the Jura-Tempest Federations opening ceremony. During their vacation, they encounter a mysterious woman, leading to a new incident by the azure sea.

That Time I Got Reincarnated as a Slime the Movie: Tears of the Azure Sea arrives with the energy of a summer holiday special, only to reveal a more thoughtful and character-driven story beneath its bright surface. It is a playful escape from the usual political bustle of Tempest, yet it still carries the thematic threads that have defined the series. Most importantly, it finally gives Gobta the spotlight he has quietly earned over the years, and that choice reshapes the entire experience for the better.

The film begins with Rimuru and his inner circle accepting an invitation to a private island owned by the elven ruler Hermesia. On paper, it is a harmless getaway. In practice, it is a parade of some of the most powerful beings in the world arriving at a resort that was never built to host them. The early scenes lean into the humour of this setup. There are swimsuits, sun-soaked vistas, and the kind of breezy comedy that usually signals a low-stakes side story. The problem is that this stretch goes on a little too long. It is cheerful and colourful, but it delays the real story enough that the pacing starts to sag.

Copyright: © Taiki Kawakami, Fuse, KODANSHA/ “Ten-Sura” Project

For newcomers, this opening also tries to summarise the events of the anime so far. The effort is admirable, but the sheer number of characters and the dense political history of Tempest make it a tough entry point. Anyone unfamiliar with the series will likely feel lost before the plot even begins. For returning fans, though, the holiday antics are a warm reunion, even if they linger longer than necessary.

Once the story shifts gears, the film becomes far more interesting. Rimuru’s presence on the island triggers a chain of misunderstandings and manipulations. His overwhelming power has always been a double-edged sword, and the movie leans into the idea that even a peaceful visit can destabilise an entire region. Rimuru remains earnest and well-meaning, but his political naivety is on full display. He still struggles to grasp how others perceive him, and how fear can be weaponised by those with sharper agendas. The film uses this to explore the unintended consequences of power, a recurring theme in the franchise.

Yet Rimuru is not the heart of this story. That honour belongs to Gobta, and the film is stronger for it. Gobta has spent three seasons as a lovable nuisance, a loyal soldier who often stumbles into competence by accident. Tears of the Azure Sea finally lets him be more than a punchline. When the island’s troubles escalate, Gobta steps into a role that feels both surprising and completely earned. He becomes the grounded centre of a story filled with dragons, demon lords, and political intrigue.

Copyright: © Taiki Kawakami, Fuse, KODANSHA/ “Ten-Sura” Project

Gobta’s strength lies not in overwhelming magic but in instinct, agility, and a kind of scrappy determination that makes his fights some of the most enjoyable in the film. The action choreography shifts away from explosive spells and toward clever, physical combat. Gobta improvises, adapts, and survives through sheer grit. These scenes feel fresh for the franchise, and they give the movie a welcome sense of intimacy.

His interactions with Yura, a young priestess tied to the island’s deeper mysteries, give the film its emotional core. Yura is introduced as a figure burdened by ritual and responsibility, someone who has grown up surrounded by expectations. Gobta, by contrast, acts from the heart. He helps because it feels right, not because it benefits him politically. Their bond grows naturally through shared danger, quiet moments, and a mutual recognition of each other’s sincerity. It is a gentle, charming romance that never overwhelms the plot but gives it warmth.

The film’s visuals support this shift in tone. The new character designs, especially the vacation outfits, add a sense of novelty. The animation is fluid, and the dragon’s movement is a standout achievement.

Copyright: © Taiki Kawakami, Fuse, KODANSHA/ “Ten-Sura” Project

As the story approaches its climax, it takes a turn that will feel familiar to fans of Avatar: The Last Airbender. Without spoiling specifics, a late narrative choice involving Yura may divide audiences. Some will find it thematically appropriate, while others may feel it undercuts the emotional investment built throughout the film. It is not a deal breaker, but it does soften the impact of an otherwise strong character arc.

Even with that stumble, Tears of the Azure Sea succeeds by embracing a smaller scale. Gobta’s vulnerability makes the stakes feel more personal. Rimuru could flatten armies, but Gobta has to think, dodge, and trust the people beside him. That contrast gives the film a refreshing sense of balance. It is still a Slime movie, filled with magic and spectacle, but it is also a story about a loyal hobgoblin finally getting the attention he deserves.

For long-time fans, this is a delightful detour that celebrates a character who has quietly supported the series from the beginning. For newcomers, the dense lore and lengthy resort introduction may be a barrier. But for those already invested in Tempest and its citizens, Tears of the Azure Sea is a warm, playful, and surprisingly heartfelt addition to the franchise.

That Time I Got Reincarnated as a Slime the Movie: Tears of the Azure Sea will be released in NZ cinemas on April 30, 2026. Find your nearest screening here

Review written by Alex Moulton

WORLDWIDE RELEASE DATES

• April 28, 2026: Austria, Germany, Switzerland (German)
• April 29, 2026: Belgium, France, Switzerland (French)
• April 30, 2026: Australia, Brazil, Central America, Chile, Colombia, Denmark, Hungary, Iceland, Israel, Italy, Kazakhstan, Kuwait, Mexico, Netherlands, New Zealand, Norway, Peru, Portugal, Saudi Arabia, Spain, UAE, Ukraine
• May 1, 2026: Canada, Finland, Ireland, Sweden, United Kingdom, United States
• May 7, 2026: Greece
• May 8, 2026: Poland, Romania

CHAINSAW MAN – THE MOVIE: REZE ARC (2025)

Denji encounters a new romantic interest, Reze, who works at a coffee café.

Chainsaw Man – The Movie: Reze Arc is a cinematic rollercoaster that tries to fuse tender teenage romance with brutal, high-octane violence. It’s a bold attempt to expand the anime’s universe, but the result is a film that feels emotionally disjointed and structurally uneven. For longtime fans, it’s a visceral treat. For newcomers, it’s a confusing plunge into chaos.

The film opens not with blood and chainsaws, but with a surprisingly subdued tone. Denji, our hormone-driven protagonist, is caught between two women: the enigmatic Makima, his superior at Public Safety, and Reze, a charming barista he meets during a rainstorm. Their interactions are sweet, awkward, and laced with teenage longing. There’s a movie date, some flirtation, and a sense of normalcy that feels almost alien in the Chainsaw Man universe.

This first act is slow; almost too slow. It simmers with emotional tension but lacks urgency. The pacing drags as Denji’s internal conflict plays out in quiet scenes that feel more like a romantic slice-of-life than a supernatural thriller. Reze’s bubbly personality and Denji’s naïve infatuation create a believable, if slightly cliché, teen romance. But beneath the surface, there’s a creeping sense that things aren’t what they seem.

And then, the bomb drops...literally.

The film’s second half explodes into action, abandoning its romantic pretense for a barrage of violence, gore, and devilish mayhem. The villain is revealed, the Bomb Devil, a terrifying force of destruction who detonates herself with the flick of a finger. Her appearance is shocking, and the tonal shift is jarring. What was once a gentle story about young love becomes a battlefield of mutilation and chaos.

From this point on, the film is relentless. The fight scenes are kinetic and brutal, with Denji facing off against the Bomb Devil and other monstrous foes like the Typhoon Devil. The animation is dazzling; neon splashes of color, rapid cuts, and surreal choreography that defies physics. It’s a sensory overload, amplified by a pulsing soundtrack that feels more like a rave than a movie score.

Director Tatsuya Yoshihara and writer Hiroshi Seko clearly know how to stage a spectacle. The action sequences are some of the most visually impressive in the Chainsaw Man franchise. But the emotional weight of the first half doesn’t quite carry through. The romance, while touching, feels disconnected from the carnage that follows. The film’s structure, soft then savage, are so far on the opposite ends of the spectrum that it makes it hard to stay emotionally invested.

Supporting characters like Aki and Angel Devil make brief appearances, but their roles are underdeveloped. They serve more as background noise than meaningful contributors to the plot. This is a shame, as their presence could have added depth to the story’s themes of sacrifice and survival.

Thematically, Reze Arc explores Denji’s desire for normalcy and love, juxtaposed against the violent reality of his life as a devil hunter. The film displays Denji's fleeting chance at happiness, but also deadly threats. The duality gives the film a split personality: romantic drama on one side, hyperviolent thriller on the other. It’s an ambitious blend, but not a seamless one.

For fans of the anime, the film is a satisfying continuation. It doesn’t waste time rehashing old plot points, and it dives straight into new territory. But this also makes it less accessible to newcomers. Without context, the characters and their relationships are harder to grasp, though the broad strokes and context do keep it watchable. The film assumes you’ve done your homework; and if you haven’t, you’ll have a lesser experience.

The emotional climax hits hard, but it’s buried under layers of explosive action. Denji’s heartbreak, confusion, and growth are present, but they’re overshadowed by the spectacle. The final battle is a visual marvel, but it leaves little room for reflection. It’s thrilling, yes; but also exhausting.

Chainsaw Man – The Movie: Reze Arc is simply a film of two halves. The first is a slow-burning romance that builds emotional stakes. The second is a chaotic descent into violence that shatters those stakes with explosive force. It’s a bold experiment in tonal contrast, but not always a successful one. The pacing issues and inconsistent tone can make it a challenging watch.

Still, there’s no denying the film’s ambition. It pushes the boundaries of what anime adaptations can be, delivering cinematic scale and emotional complexity. It’s a flawed but promising entry in the Chainsaw Man saga, and one that will spark plenty of debate among viewers.

If you’re here for the blood, guts, and devil-slaying madness, you’ll get your fill. If you’re hoping for a coherent emotional journey, you might be left wanting. Either way, Reze Arc is a wild ride; and one that proves Chainsaw Man is anything but predictable.

Chainsaw Man - The Movie: Reze Arc was released in NZ cinemas from 19 September 2025

Review written by Alex Moulton

DEMON SLAYER: KIMETSU NO YAIBA INFINITY CASTLE (2025)

The Demon Slayer Corps are drawn into the Infinity Castle, where Tanjiro, Nezuko, and the Hashira face terrifying Upper Rank demons in a desperate fight as the final battle against Muzan Kibutsuji begins.

Anime has risen steadily in popularity around the world, moving from being a niche cultural product to a mainstream form of entertainment. Streaming services and dedicated platforms have accelerated this growth, opening the door for international audiences. Yet the divide between critical opinion and audience enthusiasm remains noticeable. Fans celebrate the energy, the spectacle, and the emotional weight of series like Demon Slayer, while critics often focus on structure, pacing, and storytelling form. Demon Slayer: Kimetsu No Yaiba – Infinity Castle falls directly into this discussion. It is a film that dazzles on a visual and sonic level, thrills with relentless action, and grabs hard at the emotions of its viewers. At the same time, it is a film where pacing is uneven, largely due to the frequent flashbacks, and one where knowledge of the prior four seasons feels essential to appreciating the true depth of its characters.

©Copyright_ ©Koyoharu Gotoge _ SHUEISHA, Aniplex, ufotable

Directed by Haruo Sotozaki and Hikaru Kondô, and based on the work of original creator Koyoharu Gotouge, Infinity Castle is not shy about its ambitions. From the very first frame, it plunges its audience into chaos. The Demon Slayer Corps find themselves scattered within a labyrinthine fortress, an infinite structure that constantly twists and shifts, reminiscent of an Escher-inspired landscape. Floors collapse without warning, doors open into voids, and walls tilt in impossible directions. The film wastes no time on preamble. Instead, it discards geography and logic to throw both characters and viewers into a fever dream of suspended gravity and endless pursuit. It is an opening that signals immediately that this is the beginning of the climactic arc.

For long-time fans, this entry marks the long-awaited confrontation between the Demon Slayer Corps and the demons led by Muzan Kibutsuji. For new viewers, the stakes are still clear. The heroes are framed unmistakably as champions of life, compassion, and humanity. The demons, with Muzan at their head, are embodiments of destruction and despair. Even with no prior knowledge of character histories, the lines are drawn cleanly enough for the core story to remain understandable. However, stepping into this film without watching the earlier seasons is much like starting the final battle of Avatar: The Last Airbender without any of the lead-up. You can follow the clash of ideals and the spectacle of combat, but you lose the nuanced layers of growth, loss, and friendships that have been built over time. To watch Infinity Castle cold is to do a disservice to the characters, who deserve to be understood in full context.

©Copyright_ ©Koyoharu Gotoge _ SHUEISHA, Aniplex, ufotable

The structure of the film revolves around three major confrontations. Each battle is introduced with explosive choreography, carried forward by dazzling animation, and then broken apart by flashbacks that provide history and emotional context. These flashbacks are vital for revealing the humanity that still lingers within demons, often painting them as tragic figures who fell from grace after unbearable personal losses. The third confrontation, taking up nearly half of the runtime, devotes itself to an extended backstory that explains the motivations of a particularly important demon. While these sequences add weight to the narrative, they also interrupt the momentum of the battles. The rhythm becomes predictable: action, flashback, emotional note, resolution. This pattern, repeated across multiple fights, can reduce the urgency of what is otherwise a non-stop ride.

Still, the animation is among the best in modern anime cinema. The blend of 2D characters and partially CGI-rendered environments is seamless, especially within the shifting halls of the Infinity Castle. The castle itself becomes a character, an ever-changing enemy that disorients and threatens the Demon Slayers at every turn. Within this landscape, elemental sword techniques burst across the screen in streams of fire, water, and lightning. Each breathing style, unique to the swordsman who wields it, creates attacks that feel both artistic and dangerous, forming an ongoing dance of movement, colour, and violence. The fight choreography is relentless, constantly escalating, and full of creative flourishes that keep the energy high.

©Copyright_ ©Koyoharu Gotoge _ SHUEISHA, Aniplex, ufotable

The focus of the story shifts between three main duels. Shinobu faces Doma, the Upper Rank demon who was responsible for her sister’s death. Zenitsu, rises to face Kaigaku, a former student under his master who has turned to the demon side. Meanwhile, Tanjiro and Giyu engage Akaza, the Upper Rank Three demon responsible for the death of the Rengoku. Each battle carries its own emotional charge, and while the film gives nearly every major character a moment to shine, these three fights dominate the screen. Not all characters are given equal treatment, and some characters are left in the background; clearly their stories are being saved for later instalments in this planned trilogy.

The film’s greatest strength lies in its ability to marry spectacle with emotional pull. It wants the audience to be awed one moment and devastated the next. Blood flows in deep crimson against sharp lines of steel, while tears fall in quieter moments of revelation. The demons are shown not simply as monsters but as former humans who once struggled with despair or tragedy. This mirrors the Demon Slayers themselves, who channel their pain into a determination to protect others. The contrast creates a powerful theme of what humans can become when faced with suffering, either descending into destruction or rising into compassion.

©Copyright_ ©Koyoharu Gotoge _ SHUEISHA, Aniplex, ufotable

At the same time, the reliance on flashbacks slows down the film’s pace at crucial points. Just as the momentum builds to a peak, the narrative cuts away to a backstory. The information is important, but the timing is often frustrating. Instead of a smooth escalation, the story becomes a series of surges and stalls, leaving the audience caught between adrenaline and reflection, without the time to fully absorb either.

For all its flaws, Infinity Castle is still an extraordinary technical achievement. The animation is fluid and consistently inventive, the sound design heightens every clash of steel and every roar of anguish, and the sheer ambition of staging this climactic arc across three films ensures that the stakes remain towering. The sacrifices of the Demon Slayer Corps are framed with respect, with many characters meeting tragic ends that raise the sense of danger. Unlike earlier arcs where plot armour often shielded beloved characters, here every battle carries the possibility of finality. This makes the villains genuinely threatening and keeps the viewer tense even through the more repetitive sequences.

©Copyright_ ©Koyoharu Gotoge _ SHUEISHA, Aniplex, ufotable

It is important to note that Infinity Castle is not the conclusion but the beginning of a trilogy. While packed with intense confrontations and emotional revelations, it ends without resolution. Muzan remains undefeated, and Tanjiro’s ultimate confrontation is left for future instalments. This lack of closure may frustrate some viewers, especially given the long runtime, but it also raises anticipation for what comes next.

All in all, Demon Slayer: Kimetsu No Yaiba – Infinity Castle is both exhausting and exhilarating. It delivers over two hours of beautifully rendered combat, intertwined with tragic histories that aim for the heart. It is easy enough to follow for newcomers, though the deeper emotional resonance requires the investment of watching the series first. Its greatest weakness lies in pacing, as the constant interruptions of flashbacks rob the battles of their full intensity. Yet when taken as part of the larger story, it remains a powerful start to what promises to be a grand finale. For fans, it is a must-watch. For newcomers, it is still accessible, though best experienced after immersing in the journey that brought these characters here.

Demon Slayer: Kimetsu no Yaiba - Infinity Castle will be released in NZ cinemas on September 11, 2025
Running Time: 155 mins         
Rating: TBA (R13 expected)

You can find your nearest screening here

Review written by Alex Moulton

KAIJU NO. 8: MISSION RECON

In a Kaiju-ravaged Japan, Kafka Hibino, working in monster disposal, transforms into the powerful "Kaiju No. 8" and secretly strives to join the Anti-Kaiju Defense Force, alongside his childhood friend Mina Ashiro. As a new threat emerges, Kafka faces a critical decision that could change everything.

In the world of Kaiju No. 8: Mission Recon, Japan is constantly under threat from massive creatures known as Kaiju. These gigantic monsters wreak havoc on cities, and it’s up to the elite Anti-Kaiju Defense Force to protect the population. However, this isn’t your typical Kaiju story. Instead of following a young, ambitious hero, we meet Kafka Hibino, an older, down-on-his-luck worker who cleans up the mess left behind after the battles. Kafka may not have the typical heroic qualities at first glance, but his journey is one of redemption, determination, and self-discovery.

Adapted from Naoya Matsumoto’s manga, Kaiju No. 8 stands out with its unique protagonist and blend of humour and intense action. The omnibus film Kaiju No. 8: Mission Recon combines the first ten episodes of the anime’s first season into a single 119-minute feature, with the addition of a new original episode titled “Hoshina’s Day Off.” While the trailer might give the impression of a light-hearted, almost childish anime, it quickly reveals a deeper balance between thrilling monster battles and moments of comedy.

Credit: ©JAKDF 3rd Division © Naoya Matsumoto/SHUEISHA

At the heart of Kaiju No. 8: Mission Recon is Kafka Hibino, a man who has long abandoned his dream of joining the prestigious Anti-Kaiju Defense Force. Kafka’s job as a member of the cleanup crew is far from glamorous—he spends his days disposing of the remains of fallen Kaiju, a task that’s as gruesome as it is thankless. Kafka is the opposite of a typical anime protagonist. At 32, he’s no longer the eager, idealistic young man trying to prove himself. Instead, he’s a middle-aged man who has failed repeatedly to join the defense force, making his quest for redemption feel all the more relatable.

Despite the setback, Kafka is determined to change his fate. His dream of joining the Defense Force isn’t driven by ambition or a desire for glory—it’s a genuine wish to make a difference. What makes Kafka so appealing as a protagonist is that he doesn’t rely on his newfound powers to cheat his way into the defense force; instead, he uses his years of experience working with Kaiju remains to earn his place. Kafka’s growth throughout the series is heartfelt, and his journey towards self-acceptance is a big part of what makes the anime resonate.

Credit: ©JAKDF 3rd Division © Naoya Matsumoto/SHUEISHA

The action sequences in Kaiju No. 8: Mission Recon are one of the most exciting aspects of the show. The Kaiju battles are fast-paced and inventive, and the animation does an excellent job of capturing the scale and intensity of these fights. The design of the Kaiju themselves is diverse and detailed, with each monster bringing something unique to the table. These creatures feel alive, and the sheer force of their power is palpable.

What’s more impressive is the way the anime blends action with moments of humour. Kafka’s awkwardness, especially as he comes to terms with his new Kaiju form, provides a contrast to the brutal intensity of the battles. The humour is not just there for comic relief but also serves to make the characters feel more human. Kafka’s interactions with his colleagues, as well as his attempts to keep his Kaiju identity a secret, add a light-hearted tone to the otherwise dark and action-packed plot.

One of the more unusual elements of Kaiju No. 8: Mission Recon is the inclusion of an original episode titled “Hoshina’s Day Off.” This episode follows as a bit of an end credits special, offering a comedic finale. While this episode doesn’t contribute to the main plot, it serves to provide more character development and a light-hearted contrast to the high-stakes action the audience have been feasting on. However, this shift in tone can feel a bit jarring, especially when the main story ends on a tense note. 

Credit: ©JAKDF 3rd Division © Naoya Matsumoto/SHUEISHA

The anime’s visual style is striking, with bold colors and energetic camera movements that make each action scene feel dynamic and exciting. The animation is clean and detailed, and the lighting plays a significant role in setting the atmosphere. Many scenes take place at night, with characters dressed in black suits, which creates a unique visual contrast between the dark environment and the vibrant lighting used during battle sequences. The animation studio, Production I.G, is known for its high-quality work, and Kaiju No. 8: Mission Recon is no exception. The fluidity of the animation enhances the intensity of the Kaiju battles and allows for creative choreography in each fight.

What sets Kaiju No. 8: Mission Recon apart from many other Kaiju-centric anime is its tone. While it has the typical high-octane action that fans expect from a show about giant monsters, the anime balances this with moments of humour and emotional depth. Kafka’s character arc is central to the show, and his journey is what keeps the audience invested. There’s a strong focus on his inner struggle, and the anime doesn’t shy away from exploring the complexity of his feelings as he grapples with his Kaiju identity. The theme of redemption and second chances is a major thread throughout the season, and it’s something that resonates with viewers long after the credits roll.

While Kaiju No. 8: Mission Recon shares similarities with other anime like My Hero Academia or Attack on Titan—with its focus on a world threatened by powerful creatures—it also manages to carve out its own identity. Kafka is not your typical young hero; instead, he’s a man who’s trying to make up for lost time and prove that it’s never too late to chase your dreams. This shift in focus offers a refreshing change from the usual anime tropes, giving the story a unique perspective.

Kaiju No. 8: Mission Recon is an entertaining and well-rounded anime that offers much more than its initial premise suggests. The film does an excellent job of balancing intense action, humour, and character development. Kafka Hibino’s journey of redemption and his determination to fight for a dream that once seemed out of reach is both inspiring and relatable. The action scenes are exhilarating, the animation is top-notch, and the humour adds a light touch to the otherwise serious plot.

While the inclusion of the filler episode “Hoshina’s Day Off” might feel a bit out of place, it doesn’t detract from the overall experience. Instead, it gives viewers a brief reprieve before the story dives back into the action. If you’re looking for an anime that blends high-stakes action with emotional depth and a unique protagonist, Kaiju No. 8: Mission Recon is definitely worth checking out. To see how the story unfolds, be sure to catch the remaining episodes on Crunchyroll.

Kaiju No. 8: Mission Recon is in NZ cinemas from April 10, 2025

BLUE LOCK THE MOVIE -EPISODE NAGI- (2024)

“That’s a hassle.” That was second-year high schooler Nagi Seishiro’s favourite phrase as he lived his dull life. Until Mikage Reo, a classmate who dreamed of winning the World Cup, discovered Nagi’s hidden skill, inspiring him to play soccer and share his outstanding talent. One day, he receives an invitation to the mysterious BLUE LOCK Project. What awaits him there is an encounter with the finest strikers assembled from across the country. Nagi’s dream of becoming the best, alongside Reo, will take this prodigy to a world he’s never known. 

BLUE LOCK THE MOVIE -EPISODE NAGI- is a captivating addition to the anime sports genre, deviating from the conventional underdog narrative. Based on the popular manga BLUE LOCK, the movie offers a fresh perspective on the motivations and internal struggles of its characters, rather than focusing solely on team dynamics and overcoming external challenges.

The essence of BLUE LOCK lies in its exploration of personal ambition and ego, rather than the typical storyline of a team overcoming obstacles to become the best. This shift in focus is refreshing, particularly in a genre where predictability can often dampen excitement. The story revolves around the protagonist, Seishiro Nagi, who is drawn into the intense world of Blue Lock, a facility designed to cultivate the world's best soccer striker.

Seishiro Nagi is a fascinating character, reminiscent of Saitama from One Punch Man. Nagi is supremely talented but indifferent, finding little joy or excitement in his extraordinary skills. This apathy towards his own abilities sets him apart from the usual passionate and driven sports protagonists. His character arc is compelling as he grapples with his lack of interest in soccer despite being exceptionally good at it.

Nagi's journey through the Blue Lock program is not just about honing his soccer skills but also about discovering what drives him. His encounters with other highly skilled players in the tournament build curiosity in him. He begins to question how these players achieved their remarkable abilities, which in turn sparks a desire to push his own limits and explore his potential.

BLUE LOCK THE MOVIE -EPISODE NAGI- delves deep into themes of pride and ego. It raises intriguing questions about what it takes to be the best and whether it is worth sacrificing camaraderie and teamwork for personal glory. The characters in Blue Lock are not just training to become good soccer players; they are competing to be the best striker, often at the expense of others. This ruthless approach to sportsmanship is thought-provoking and sets the stage for intense psychological and emotional battles.

The movie boasts impressive animation quality, particularly during the soccer matches. The action sequences are dynamic and visually stunning, capturing the intensity and speed of the game. Fans of Dragon Ball Z will appreciate the almost superhuman feats displayed by the characters, which are often accompanied by dramatic power-ups reminiscent of going Super Saiyan. This blend of realistic sports action with exaggerated, almost fantastical elements makes for an exciting viewing experience.

Moreover, the animation style in BLUE LOCK is sleek and modern, with attention to detail that enhances the overall aesthetic. The character designs are distinctive, with each player having a unique look to differentiate their personality and playing style. The vibrant colour palette and fluid motion work together to create a visually appealing film that keeps viewers engaged.

Despite its premise, BLUE LOCK THE MOVIE -EPISODE NAGI- does not shy away from humour. The movie cleverly incorporates lighthearted moments and abilities similar to other popular anime, such as My Hero Academia. These references are seamlessly integrated, adding a layer of fun for anime enthusiasts who will enjoy spotting familiar tropes and nods to other series.

The humour in BLUE LOCK is well-timed and serves as a counterbalance to the high-stakes drama. It humanizes the characters, making them more relatable and adding depth to their interactions. This blend of serious and comedic elements ensures that the movie is not only thrilling but also enjoyable on multiple levels.

In addition to Nagi, the movie introduces a host of intriguing characters, each with their own motivations and backstories. The interactions between these characters are rich and complex, contributing to their development and the overall narrative. As Nagi observes and competes against his peers, he begins to understand the different facets of ambition and what drives each player.

The character arcs are well-crafted, with significant growth and transformation evident by the movie's end. Nagi's evolution from a disinterested prodigy to someone genuinely invested in his sport is particularly noteworthy. This transformation is handled with nuance, avoiding clichés and offering a realistic portrayal of personal growth.

BLUE LOCK THE MOVIE -EPISODE NAGI- is a standout entry in the sports anime genre, offering a unique perspective on ambition and personal growth. With its intriguing protagonist, thematic depth, high-quality animation, and well-timed humour, the movie is both thought-provoking and entertaining. Whether you're a fan of sports anime or new to the genre, BLUE LOCK provides a refreshing and engaging experience that is sure to captivate and inspire.

BLUE LOCK THE MOVIE -EPISODE NAGI-, distributed by Crunchyroll and Sony Pictures Entertainment, will be released in NZ theatres starting on June 27. It will be available in Japanese with English subtitles and dubbed in English. 

Rating is PG: Violence, coarse language & nudity

WEATHERING WITH YOU (2019)

A boy runs away to Tokyo and befriends a girl who appears to be able to manipulate the weather.

Here it is, Makoto Shinkai's latest release, Weathering With You. After the incredibly popular Your Name was released in 2017, there was a lot of hype about his latest work, in which Shinkai was again the writer, producer, and director. In all honesty, it's impossible to speak about this film without comparing it to Shinkai's prior release. Not only due to similarities, but also because the film confirms that both stories happen in the same film thanks to cameo appearances from both Taki and Mitsuha (the main protagonists of Your Name). Perhaps this is the start of a Shinkai Cinematic Universe?

As is expected of a modern Shinkai project, the animation in Weathering With You is top-notch. The visual style is very similar to Your Name though there is less variation in environment types due to the story content, with the whole film taking place in the city of Tokyo. While being set solely in a city landscape does place limitations on scene variations, there is still a great number of design details keep the scenes visually interesting. There has also been a transition from a focus on artistic camera angles, towards more dynamic tracking and sweeping aerial shots to keep the pace of the film moving along. 

The narrative and story are where Weathering With You starts to deviate more from its predecessor. While in Your Name the body-swapping premise was an integral part of the romantic arc, Weathering With You takes a much more traditional approach and, therefore, has a much stronger love story (even if simply because our two main characters actually spend a lot of time together). While the love story has better strength, the narrative is much more straight forward and simplified (which may actually help the film reach a more mainstream audience). The simplicity does create a problem, however, where it becomes rather predictable once all of the elements have been introduced. This predictability means, as a member of the audience, you are waiting for the predicted events to transpire rather than being fully engaged by the emotional story that comes along with the plot. 

There is also a curiously darker tone to the film. With a city among constant poor weather patterns, the overall aesthetic is oftentimes much gloomier, but thematically speaking, the content is much more mature. The premise itself puts the protagonists in the awkward positions where they must come across more mature than they are to survive. Without IDs, parental guidance, and thanks to a compulsory schooling rule, our main characters are instantly thrown into a morally and ethically grey area that pushes them further from "good" behaviour. Guns, gangs, love hotels, and adult entertainment are all a part of living in Tokyo.

This is no Your Name. If you go into this film expecting another story that catches you off-guard, you will leave the theatre disappointed, so manage your expectations. Weathering With You is a much more straightforward story. While the general look of the animation is similar, the tone is more mature, and there is a greater focus on the emotional development of the characters and their relationships. There is great chemistry between our core duo, Hina and Hodaka, and the supporting characters of Kei, Natsumi, and Nagi each bring surprisingly well-rounded personalities (with good backstory) to the table. 

Every element of the anime is great, but not exemplary. It's as if there was more effort into replicating the success of Your Name than trying to make Weathering With You stand on its own two feet. The soundtrack is fine but isn't as evocative or specific. The story is easy to follow, but predictable. There is elements of the story that are revealed as the story progresses, but nothing that is as jarring and unexpected as what you got in Your Name. The love story is stronger but is less emotionally engaging.

By all means, Weathering With You is a satisfactory story that is visually gorgeous. There are, unfortunately, no elements that make the story memorable. While you will certainly enjoy it, it is not something that has the layers needed to keep it satisfying after several viewings.

YOUR NAME. (2016)

Two teenagers share a profound, magical connection upon discovering they are swapping bodies. But things become even more complicated when the boy and girl decide to meet in person.

As a child, I had very little exposure to anime. Pokémon, Dragon Ball Z, and Avatar: The Last Airbender were the extent of my anime knowledge (I had heard of Naruto and One Piece but had never actually watched them). It was only after watching One Punch Man (Season 1) and I won a copy of Season 1 of Mob Psycho 100 that I started to understand the appeal of anime, with much greater depth and variety in storytelling compared to western media (in general, not just in animation).

Coming off the back of binge-watching the Attack on Titan and My Hero Academia series, I figured what better time to start looking into anime movies. With Weathering With You just being released in New Zealand cinemas, it seemed a good time to check out Makoto Shinkai's previous film your name.. Your Name is the fifth feature-length anime that Shinkai has written, produced, and directed. 

The story itself revolves around a teenage girl and boy from Japan. It comes with the twist that they don't actually know each other but on several occasions find themselves switching bodies for the day, gradually learning about (and affecting) the life of the person they are inhabiting. It's a unique premise for a romance, where one actually grows an attachment through experiencing the life of this opposite person without that person ever being present. 

The whole body-swap (and subsequent swap-back) process provides a wealth of humour while allowing the development of side characters, along with an organic source of exposition. The first act is fun and light-hearted in an inexorably charming manner. While Your Name provides a new perspective, it still feels familiar; that is to say, it still has a lot of the trappings of a Hollywood romantic comedy (for the first act at least).

Without going into spoiler territory, there is a shift in tone towards something more serious as the film progresses, and the transition is done quite well. It is inevitably jarring, but still feels earned and justified in its choice in direction. Narratively, it is quite cohesive. There is the odd moment that does seem to foreshadow a moment far too early, but in general, the pacing and energy of the story are perfect.

From a visual perspective, the animation is absolutely spectacular. This is hand-drawn cell animation, and the colours, rendering, and cinematography are spell-binding. The level of detail is impressive, and the choices of framing in the scenes keep things engaging. 

Thematically, Your Name is all about the concept of dualism (yin and yang, if you must), and nearly every facet of our two protagonists are opposing, but also interconnected and complementary; boy vs girl, urban city vs rural country, traditional culture vs. progressive modernism. 

Your Name brings an interesting perspective, but at its heart, still feels like the familiar formulaic love story. There is however something much deeper embedded in this story, and it's all to do with that comet that connects them. Shinkai answers many of the questions that the premise generates, but only if they drive the narrative. 

The journey of these characters becomes so engaging that you will completely forget about any unanswered questions as you are drawn deeper and deeper into the story. Your Name does well to balance the tone of the film between its various sections, and I am really looking forward to the follow-up, Weathering With You.

DRAGON BALL SUPER: BROLY (2019)

Once the Tournament of Power story arc ended, Dragon Ball fans have been on edge waiting for more content. Enter Dragon Ball Super: Broly. Unlike most of the Dragon Ball Z movies, which have been standalone short films that aren't considered canon, Dragon Ball Super: Broly is a full length (100 minutes) canon addition to the Dragon Ball universe. This effectively retcons the continuity that fans know from the three previous Broly films, as well as the Bardock: The Father of Goku special; reintroducing the characters of Broly and his father Paragus officially.

This reintroduction does mean that there is a lot of exposition in the film, and the first third of the movie takes place in the past, developing and explaining the backstory of the main characters; Vegeta, Goku, Frieza, and Broly. This is potentially the only part of the film that seems to drag, and yet it isn't because fans are being fed a similar history that they may be already aware of. Instead, it feels slow because of the plethora of history we are having jammed into such a small amount of time. We are getting two films worth of content skimmed over in the first 30 minutes, and that lack of depth in otherwise interest aspects of the lore can cause you to fidget in your seats as you wait for the film to focus on something.

The film is effectively split into 30 minutes setting up the history, 30 minutes setting up the present story, 30 minutes of fighting, and a 10-minute epilogue. What this new history does provide, is a much more rounded personality for Broly, one of the film's antagonists. No longer just an unknown player that is super strong and mindless, we are provided with a backstory that actually builds a level of sympathy towards his character. Which is a very bold thing for a Dragon Ball film to try to do; trying to make the viewer want a resolution that doesn't involve wiping the other person out).

The present-day story is rather minimal, but it does inject a healthy dose of humour into the film. Potentially one of the funniest Dragon Ball movies to date, and it works surprisingly well being incorporated into the action scenes, breaking it up into manageable chunks. 

In terms of the number of characters involved in the film, it is far more "realistic" when you are aware of how significantly Vegeta and Goku have surpassed the supporting cast in power level. With only the odd cameo from the occasional character, most are quite rightly left out, and even Goku and Vegeta have practically no character development at all. Everything is aimed at fleshing out Broly.

The 30-minute action scene. Wow. There is so much intensity, so much colour, and various forms of high-quality animation. As is Dragon Ball's style, you can expect a gradual ramping up of powers, clicking through transformations, all of which are gloriously eye-catching. The fight scene has near-enough no dialogue. Just fighting through various environments with a number of different attack styles. Kudos to the direction and choreography in these scenes, as this extensive, and vivid sequence keeps you engaged for the entire time.

Dragon Ball Super: Broly is well done. While I would have loved a little less spoon-fed exposition at the start of the film, it provides enough backstory that non-Dragon Ball fans can still follow it. You don't need to know the intricacies of different Saiyan forms to know what is going on. An entertaining watch, with a hilariously simple soundtrack.