Lost in the night markets 2 young boys befriend each other and go on an adventure - video game style!
Yeah Pare is a short film that combines childhood adventure with the vibrant chaos of the Pakuranga Night Markets. Directed by Sean Dioneda Rivera and Albert Latailakepa, and produced by Danny Aumua, this 9-minute gem effectively transports viewers into a whimsical, game-inspired world where two young boys, amidst the lively market stalls, find friendship and embark on a journey that feels reminiscent of classic video games.
What stands out immediately in Yeah Pare is the blending of art styles. The film shifts between live-action sequences and 8-bit pixel animations, reminiscent of early Gameboy aesthetics. This visual approach not only adds a layer of nostalgic charm but also serves a functional purpose, acting as a creative method of transitioning between scenes. The pixel animations allow for creative visualisation of the boys' movements throughout the market, giving the film a dynamic energy that mirrors the pace of arcade games. This melding of styles offers a fresh take on visual storytelling, enhancing the film's appeal to both younger audiences and those who fondly remember the early days of video gaming.
The 8-bit sequences in particular are cleverly integrated into the narrative. Rather than feeling like a simple stylistic choice, these animations are woven into the film's fabric, representing the boys' adventurous spirit as they navigate through different challenges in the market. Each transition between live-action and animation feels purposeful, making the film feel cohesive despite its use of different mediums.
Yeah Pare is a playful exploration of childhood curiosity and the bonds formed through shared experiences. The script, written by Rivera and Latailakepa, captures the innocence and excitement of two boys on an adventure. The night market setting serves as a perfect backdrop, with its bustling atmosphere and a myriad of stalls, each offering its own unique sights and sounds. The film feels like a series of mini-adventures, with each stop along the way marked by its own theme, whether it be horror, action, or something in between.
The comedic elements are well-executed, with light-hearted banter between the two leads, keeping the tone fun and engaging. Despite the fast pace of the film, there's a sense of camaraderie between the characters, making their journey through the night market feel relatable and authentic. The humour is cleverly interspersed, never overpowering the adventure aspect but adding to the overall enjoyment of the film.
Rivera and Latailakepa show a strong understanding of visual storytelling in Yeah Pare. The use of close-ups and handheld camera work during the chase scenes effectively conveys a sense of movement and urgency, drawing the audience into the boys' world. The camera work is energetic yet controlled, making the market feel like a labyrinth of endless possibilities. The film's editing is tight, with smooth transitions between scenes, helped along by the 8-bit animations that give the film a brisk, forward momentum.
While the film’s use of montages helps to build the atmosphere of the night market, there are a few moments where repeated scenes slightly detract from the film’s otherwise seamless flow. However, this is a minor issue in an otherwise well-constructed short. The use of B-roll footage adds depth to the setting, painting a vivid picture of the market's bustling environment without overwhelming the central narrative.
Sound design plays a crucial role in enhancing the arcade-inspired visuals of Yeah Pare. The soundtrack complements the 8-bit animations, evoking the familiar sounds of old-school gaming while simultaneously fitting into the lively ambience of the night market. The sound design is thoughtfully chosen, creating an immersive experience that echoes the film's playful and adventurous tone. Whether it's the hum of the market or the digital blips of the pixelated world, the soundscape adds another layer to the film’s storytelling.
Yeah Pare is a charming short film that successfully captures the essence of youthful adventure and the magic of new friendships. Through its creative use of live-action and 8-bit pixel animation, the film offers a unique visual experience that is both nostalgic and refreshing. Rivera and Latailakepa’s direction brings together a playful script, engaging performances, and strong technical elements to create a film that resonates with audiences of all ages.
Though the film is brief, its impact is lasting. Yeah Pare is not just a journey through the night markets; it’s a journey back to childhood, when every corner held a new possibility and every stranger could become a friend. For viewers looking for a light-hearted adventure with a touch of nostalgia, Yeah Pare is a delightful and heartwarming watch.
Day One Hāpai te Haeata provides rangatahi with the tools, guidance and opportunities to share stories on screen.
The entire series of the eight short films premieres at Hollywood Avondale on Tuesday 3rd September, with all films then released online the following day - and socials thereafter.
View the shorts here