A law-breaking comedian who is grappling with her gender identity forms a new anti-comedy troupe with a friend and finds herself battling a fascistic caped crusader.
The People's Joker, directed by Vera Drew, is an audacious film that stands out for its vibrant, chaotic visuals and deeply personal narrative. Written by Vera Drew and Bri LeRose, the film stars Drew alongside Lynn Downey and Kane Distler. It is a patchwork of imagery that operates as a clever parody, blending familiar superhero tropes with a raw and vulnerable exploration of identity. While the film's chaotic nature might be overwhelming to some, its candid portrayal of gender dysphoria and identity resonates strongly, particularly within the queer community.
At its core, The People's Joker serves as a subversive take on the superhero genre. It features well-known DC Comics characters, including classic villains like the Penguin and the Riddler, and delves into the realm of deep cuts with appearances from lesser-known figures like Creeper. However, beyond its superhero facade, the film is a piece of outsider art—a deeply personal story told through the lens of superhero iconography. Vera Drew uses these familiar characters and tropes to reflect on her own experiences, including her transition into womanhood, her relationship with her mother, and her role in the comedy world.
Visually, the film is a whirlwind of styles and media. Drew employs a mix of low-budget CGI, traditional hand-drawn animation, and even action figures to craft fight scenes. This eclectic blend, while at times jarring, contributes to the film's DIY feel, reminiscent of a personal diary. The juxtaposition of various visual elements enhances the narrative's emotional depth, grounding the story in relatable human experiences despite the visual overload. This maximalist approach might feel overwhelming, yet it is anchored by a focus on deeply personal and universal emotions.
The narrative follows a woman yearning to be recognized for who she truly is, with dreams of making people laugh. This central theme of seeking recognition and acceptance is a relatable aspect of the film, making its story accessible despite the dense layering of visual and verbal gags. The film’s irreverent humor, self-deprecating wit, and raw emotional honesty add to its distinctiveness. It captures the spirit of those who gravitate towards societal fringes, portraying them not just as villains but as complex individuals navigating a world that often misunderstands or rejects them.
The People's Joker is an autobiographical confession, striking in its honesty. At times, the bitterness of the narrative can be overwhelming, reflecting the often harsh realities faced by those exploring their gender identity in a society resistant to change. The film does not shy away from uncomfortable truths, instead embracing them as part of its chaotic narrative tapestry. It explores themes of grooming, gender dysphoria, manipulation, gaslighting, and abuse, all leading to a poignant exploration of trans identity and genre expression. These themes are interwoven with a satirical critique of societal norms, particularly the pressures of conformity imposed by the straight community.
The film’s depiction of Batman is particularly noteworthy, reimagining the character not as a hero but as a symbol of conservative, corporate repression. This portrayal serves as a critique of capitalist structures and the fear-mongering tactics used to maintain control. It’s a bold narrative choice that aligns with the film's overall message of challenging the status quo and celebrating difference.
While not every joke in The People's Joker lands perfectly, the film never loses its grip on the audience. The absurdism is balanced with just the right amount of visual chaos, and the heartfelt story at its centre maintains a strong emotional hold. The film's hyper-awareness and its satirical take on millennial pop culture add layers of complexity, making it a rich experience for viewers willing to embrace its unique style.
Despite the film’s edgy, low-rent aesthetic, which springs both from budget limitations and deliberate stylistic choices, there is an endearing quality to its self-deprecation. The film cuts deep, not just in its humor but in its brutal honesty. It captures the struggle of growing up trans, finding oneself, and navigating relationships in a world that is often hostile to those who deviate from the norm. The portrayal of a repressive parent who perceives a child's gender dysphoria as a personal affront is particularly poignant, highlighting the generational trauma caused by societal attempts at conformity.
The People's Joker is a remarkable and unconventional film. Its anarchic blend of animation, low-fi effects, and live action creates a visually chaotic yet compelling experience. The film's strength lies in its deeply personal and emotionally candid storytelling, delivering moments of profound heartbreak and raw honesty.
It may not resonate with everyone, but for those who understand or are curious about the complexities of gender identity and the challenges faced by the queer community, it offers a unique and valuable perspective. While the film's messy nature and maximalist approach may not be universally appreciated, they are integral to its identity, making it a standout piece of cinema that boldly defies conventional norms.
The People's Joker is one of 105 films screening as part of the Whānau Mārama New Zealand International Film Festival (NZIFF)
The full programme of 2024 films is outlined here.
Tickets can be booked online at www.nziff.co.nz