A Korean immigrant father working as a painter mentors a new young worker while simultaneously processing emotions of guilt as he awaits the arrival of his family. Exploring the experience of Gireogi.
Behind the White Wall, directed and written by Seunghoon Sung and produced by Joshua Nicholas Siu, is a poignant short film that offers a heartfelt glimpse into the life of a Korean immigrant painter. With a runtime of 13 minutes, this scripted drama delicately explores the experience of Gireogi—men who work and live alone in a foreign country while supporting their families back home.
The film's narrative is straightforward yet deeply impactful. It centres on a Korean immigrant father who, while mentoring a young new worker, grapples with feelings of guilt and the emotional strain of living apart from his family. The story captures the essence of Gireogi, shedding light on the often-overlooked realities of immigrant labourers who, despite sending remittances back home, endure basic living conditions and prolonged separations from their loved ones.
Behind the White Wall succeeds in conveying the complexity of this experience by focusing on the emotional and psychological dimensions of the characters. It challenges the common misconception that financial success is synonymous with a comfortable life abroad, highlighting instead the sacrifices and loneliness endured by these workers.
One of the film’s most compelling aspects is its exploration of generational trauma brought on by familial separation and the efforts to break this cycle. The protagonist's actions, from his attempts to support a new worker to the genuine care shown by his employer, reflect a desire to foster a supportive community and improve the lives of those around him. This emphasis on mutual support and community spirit is heartwarming, offering a hopeful perspective amidst the struggles of Gireogi life.
Despite its limited setting, Behind the White Wall is visually engaging. The film makes effective use of its two primary locations, employing well-composed shots and thoughtful lighting to create a sense of authenticity and depth. The cinematography captures the essence of the painter’s world, from the dusty work environment to the sparse living quarters, contributing to the film’s immersive experience.
The use of slow-motion imagery serves as a powerful narrative device, allowing key moments to be highlighted without sacrificing runtime. This technique enhances the emotional weight of the story, providing a contemplative pause that deepens the audience's connection to the characters.
Costume and set design are notably well-executed, with attention to detail that adds to the film's realism. The outfits, tools, and personal protective equipment (PPE) are all authentic to the painting profession, further grounding the narrative in its specific context. This level of detail contributes to the film’s overall credibility and immersion.
Ultimately, Behind the White Wall is a film about human connection and the sense of community that forms among workers who are physically separated from their families. It portrays a meaningful journey of support and understanding, illustrating how shared experiences and mutual care can provide solace and strength in challenging circumstances.
Behind the White Wall is a thoughtful and emotionally resonant short film that shines a light on the often-hidden struggles of Gireogi. Through its simple yet profound story, effective visual techniques, and authentic representation of the painting profession, the film offers a moving portrayal of sacrifice, community, and the quest to break free from generational trauma. Seunghoon Sung and Joshua Nicholas Siu have crafted a compelling narrative that invites viewers to reflect on the complexities of immigrant life and the importance of supporting one another.
Day One Hāpai te Haeata provides rangatahi with the tools, guidance and opportunities to share stories on screen.
The entire series of the eight short films premieres at Hollywood Avondale on Tuesday 3rd September, with all films then released online the following day - and socials thereafter.
View the shorts here