ONE PIECE - SEASON 1 (2023)

 

In a seafaring world, a young pirate captain sets out with his crew to attain the title of Pirate King, and to discover the mythical treasure known as 'One Piece.'

Creators Steven Maeda and Matt Owens have undertaken the monumental task of adapting the beloved Japanese manga and anime, and for Netflix, a platform not universally renowned for its success in this realm. However, One Piece stands out as a shining exception, proving that even amidst scepticism, there is room for triumph.

At the heart of the series is Monkey D. Luffy, portrayed by Iñaki Godoy, a character who embodies unwavering optimism and a carefree spirit. Netflix's adaptation does justice to this iconic character, delivering an exuberant and charismatic performance that is both endearing and infectious.

Luffy's journey to assemble his own crew is a central theme of the series, and it brings together a diverse group of characters, each with their own unique attributes and quirks. From the brooding Zoro to the cunning Nami, the puppy-like Usopp, and the suave cook Sanji, their interactions and adventures unfold like a carefully orchestrated symphony.

One cannot overlook the extensive lore drawn from the original source material. The series is replete with elements that avid fans of the manga will find satisfyingly familiar. The visual aesthetics faithfully capture the essence of the world created by Eiichiro Oda, complete with meticulously choreographed fight sequences.

Of course, it must be acknowledged that the stretchy superpowers of Luffy, while true to the source, may at times challenge the boundaries of believability. Nevertheless, the overall tone maintains a whimsical and fantastical quality, with a touch of cartoonish violence that retains its charm.

The critical question arises: Is One Piece accessible to those uninitiated in the original manga? The answer is an affirmative one. At its core, a pirate adventure is a universally appealing concept, transcending the boundaries of prior familiarity. This series proves that the allure of high-seas escapades is a language spoken and appreciated by all.

Showrunners Matt Owens and Steven Maeda demonstrate a profound reverence for the source material and its central theme of found family. This theme is explored comprehensively through the winding and episodic journeys of the characters. Their path is strewn with side quests, detours, and internal perils, allowing ample time for viewers to become intimately acquainted with the Straw Hat Crew and their shared dream.

The visual representation of the One Piece world is nothing short of impressive. The painstaking attention to detail is evident in the instantly recognizable aesthetics, mirroring the manga's visual style. However, there are moments when the vibrancy and vivacity one might expect are muted and muddled, a minor quibble in light of the series' overall merits.

Yet, the production exudes a profound sense of love for the source material. Adapting a fantastical story to live-action is no small feat, and One Piece embraces this challenge wholeheartedly. The dedication to preserving the essence of the original property is commendable and results in a series that feels authentic and true.

One of the standout aspects of the series is the perfectly cast crew. Luffy, in particular, is portrayed as a multifaceted character, possessing political acumen alongside his jovial nature. His crew members are brought to life with meticulous attention to detail, from their costuming and makeup to the design of their respective environments. This harmonious blend of idiosyncrasy and unity contributes to the series' success.

Luffy's quest is not without its obstacles, with the relentless pursuit of the Marines serving as a recurring threat. However, what truly sets Luffy apart is his ability to forge meaningful connections and gather dedicated friends on his journey. The series emphasizes the importance of friendship and camaraderie, reinforcing the central theme of found family.

The simplicity of One Piece is a breath of fresh air. The characters express themselves directly, without unnecessary subterfuge, embodying a candid and honest approach to relationships. This straightforwardness is a refreshing departure from more convoluted narratives.

The dedication to manga authenticity is also evident in the series' visuals, where eccentricities such as the use of large snails as an inter-ocean phone service and the presence of characters resembling animals are seamlessly integrated into the narrative. The overall light-hearted tone underscores the series' commitment to capturing the manga's spirit.

From the very first episode, One Piece establishes an engaging and adventurous narrative. The characters are witty and endearingly quirky, delivering humorous dialogue that retains the essence of the source material. While some lines may come across as cheesy, they are in keeping with the anime's penchant for whimsy.

The plot maintains a brisk pace, adhering to the shonen villain-of-the-week format while swiftly advancing the overarching narrative. The characters, almost without exception, are well-rounded and faithful to their manga origins, rendering them relatable and compelling. The inclusion of over-the-top fight scenes is seamlessly woven into the series, adding an exciting dimension to the story.

One Piece emerges as a faithful and captivating adaptation that pays homage to its source material while standing firmly on its own merits. The series demonstrates the commitment of its showrunners to translate the beloved manga into a live-action format with meticulous care and attention to detail. 

One Piece is a swashbuckling adventure that appeals to both long-time fans and newcomers, offering a family-friendly and exhilarating journey on the high seas.

One Piece was released on Netflix on August 31, 2023

UNA FEMMINA - THE CODE OF SILENCE (2022)

Rosa is a young rebel girl who lives with her grandmother and her uncle in a remote part of Calabria, in Southernmost Italy. Her mother's untimely death when Rosa was a child casts a gloomy shadow on her present life. 

Una Femmina - The Code of Silence is a tense and compelling film directed by Francesco Costabile, making his debut in the director's chair. The screenplay, penned by Lirio Abbate, Edoardo De Angelis, and Serena Brugnolo, exhibits a commendable level of craftsmanship. The cast, led by Lina Siciliano, Fabrizio Ferracane, and Anna Maria De Luca, delivers outstanding performances that elevate the narrative.

The film's central theme is succinctly captured by the quote, "Men are our misfortune". Drawing inspiration from Lirio Abbate's book "Rebel Women," the story revolves around Rosa, portrayed by Lina Siciliano, a young woman burdened by the haunting memories of her missing mother and the stifling silence of a family unwilling to confront rebellion.

Francesco Costabile adeptly constructs a thriller filled with moments of heightened tension, many of which are anchored by Lina Siciliano's impeccable portrayal of Rosa. While the pacing is not breakneck, the deliberate omission of certain scenes underscores the director's intent to demand the viewer's undivided attention. Most of the film unfolds within confined indoor spaces, creating a palpable sense of isolation and captivity. The judicious use of a desaturated colour palette further contributes to the film's sombre atmosphere.

Beyond its suspenseful narrative, The Code of Silence serves as a stark denouncement of the actions of the 'ndragheta, a notorious criminal organization, and the societal issues that arise from their pervasive presence in certain communities. At its core, the film explores the pivotal role played by women within these structures, whether actively supporting their operations or, in some cases, challenging the oppressive status quo through acts of rebellion.

What distinguishes The Code of Silence is Rosa's precarious position within a system dominated by her uncle, Salvatore Romeo (Fabrizio Ferracane), who serves as both the family patriarch and the criminal organization's leader. The complicity of the women in the family, who enforce silence and obedience, adds a layer of complexity to Rosa's struggle.

Set against the backdrop of Southern Italy, the film introduces us to Rosa, a defiant woman living with her grandparents and uncle in a remote region of Calabria. The farm where Rosa resides is the same place where her mother met a premature demise, casting a long shadow over her present. Her trauma is further compounded by the persistent violence and abuse she endures.

The Code of Silence draws inspiration from real events, lending authenticity to its narrative. Lina Siciliano's portrayal of Rosa, a character-driven by a thirst for vengeance yet marked by a quiet determination, has garnered widespread acclaim.

In terms of style, the film straddles the genres of psychological horror, melodrama, and thriller, seamlessly blending these elements to create a narrative that feels polished and mainstream, rather than gritty and raw. However, in its haste to conclude the story, the film leaves certain details unexplored, particularly the motivations behind the chief mafioso's interest in Rosa, despite her role in triggering conflict.

The film excels in depicting a culture seemingly frozen in time, where violence is an integral part of daily life. In such remote and arid landscapes, the harsh realities of extortion and racketeering shape the lives of its inhabitants, compelling ordinary men to assume the role of petty tyrants within their households.

The Code of Silence deviates from conventional gangster film tropes in several ways. There are no opulent lifestyles here; instead, Rosa's family operates a modest farm in the rugged terrain of Calabria. This setting amplifies the menace of Salvatore, Rosa's uncle, who is portrayed by Fabrizio Ferracane as a volatile and unpredictable figure. Ferracane's commanding presence on screen effectively conveys the tension that fills the room whenever Salvatore is present.

The film also subverts expectations by emphasizing the pivotal role of Rosa's grandmother (Anna Maria De Luca) and Rosa herself in uncovering family secrets and taking matters into their own hands. This departure from the conventional gangster film formula adds depth and intrigue to the narrative.

What makes The Code of Silence particularly effective is its gradual escalation of tension. As Rosa's suspicions grow, so does the suspense. Her strained interactions with family members convey the gravity of even minor missteps, all without the need for explicit exposition. Lina Siciliano's portrayal skillfully conveys Rosa's complex emotions, whether she is resolute and stoic or trembling with fear. It is a powerful performance that elicits genuine concern for Rosa's safety and a desire to see her break free from her family's shackles.

In its denouement, The Code of Silence delivers an unexpected conclusion, which, while not entirely satisfying, leaves the viewer with a sense of cautious optimism.

The Code of Silence is a gripping and thought-provoking thriller that maintains its hold on the audience from beginning to end. With a stellar cast, a compelling story, and a fresh take on the gangster genre, this film is a must-see for those seeking a cinematic experience that challenges conventions and explores the intricate dynamics of family, silence, and rebellion.

The Code of Silence was in selected theatres from July 27, 2023, as part of the Italian Film Festival

THE TASTING (2022)

Divorced from the gruff type, Jacques runs a small wine cellar on the verge of bankruptcy. Hortense, determined not to end up an old maid, enters his shop one day and registers for a tasting workshop. 

The Tasting is a heartfelt and charming cinematic gem that leaves a lasting impression thanks to the skilful craftsmanship of director and writer Ivan Calbérac. Adapted from his own play, this film brings to life a captivating story with a dose of love, humour, and tenderness that resonates with audiences.

At its core, The Tasting introduces us to Hortense, portrayed by the talented Isabelle Carré, a midwife with an unbridled passion for the babies she helps bring into the world. On the other side of the story is Jacques, played by Bernard Campan, the owner of a local wineshop facing financial woes and forced to confront his addiction to alcohol due to a medical issue. Their paths intersect when Jacques takes on Steve, portrayed by Mounir Amamra, an intern from a challenging background who opens up new perspectives for both Jacques and Hortense.

The film skillfully explores the dynamics of these characters, with Jacques teaching Steve about the world of wine, and in turn, Steve shedding light on Hortense's feelings for Jacques. The result is a series of awkward and endearing moments that each character must navigate as they grapple with their own personal challenges.

While The Tasting delves into some more serious themes, it maintains a harmonious balance that prevents the audience from being overwhelmed by sadness. Instead, it offers a rich blend of emotions, including joy, humour, and tenderness. The film's ability to handle serious issues such as grief, addiction, and childlessness with a light touch is a testament to Calbérac's adept storytelling.

Beneath the surface of this heartwarming tale, there's an undercurrent of tragedy that adds depth to the romance. The film does not shy away from exploring the complexities of its characters, allowing them to grapple with their own demons while forging connections with one another.

While the side stories within the film could have been explored more thoroughly, the main arc maintains enough tension to keep viewers engaged. The character of Steve, in particular, shines as he injects youthfulness and an outsider's perspective into the narrative. His presence adds a meta layer to the story, playfully poking fun at the quirks and idiosyncrasies of the main characters.

Visually, The Tasting is a treat, with charmingly shot scenes set in warm and inviting environments. The film's simplicity is its strength, as it relies on the genuine interactions and emotions of its characters to captivate the audience.

The Tasting is a masterfully crafted film that combines the flavours of love, humour, and tenderness into a delightful cinematic experience. Ivan Calbérac's crisp script and direction bring out the best in the talented cast, allowing them to explore the complexities of their characters with grace and authenticity. While the film touches on serious themes, it does so with a light touch, making it a heartwarming and emotionally resonant story. 

The Tasting is a testament to the power of storytelling to navigate the depths of human emotions while leaving a warm and lasting impression.

The Tasting is in NZ cinemas from September 28, 2023

THEATER CAMP (2023)

Eccentric staff members of an upstate New York theatre camp must band together when their beloved founder falls into a coma. 

Theater Camp is a delightful and heartwarming cinematic experience that celebrates the passion for performance and the magic of the stage. Directed and co-written by the talented duo of Molly Gordon and Nick Lieberman, this film brings to life the vibrant world of a children's theatre camp in upstate New York, offering a charming mix of satire and affectionate homage.

At its core, Theater Camp taps into the primal urge that many share – the unquenchable desire to step onto a stage and express ourselves through the art of acting. The film adopts a comic mockumentary style, immediately drawing viewers into the colourful and quirky world of this summer camp dedicated to the dramatic arts.

The story kicks off with a crisis as the camp's beloved founder, Joan Rubinsky (played by the talented Amy Sedaris), falls ill, necessitating a change in leadership. Joan's son, Troy, portrayed by Jimmy Tatro, steps into her shoes with mixed results, setting the stage for an entertaining and sometimes tumultuous journey.

What truly makes Theater Camp shine is its exceptional ensemble cast, who infuse the film with boundless enthusiasm and genuine charm. Ben Platt and Molly Gordon, who play camp counsellors Amos and Rebecca-Diane, bring authenticity and depth to their roles. Noah Galvin joins the ensemble, adding to the film's genuine feel and emotional resonance.

One of the film's standout features is its ability to appeal to both theatre aficionados and those less acquainted with the world of drama. Janet, portrayed by Ayo Edebiri, serves as a relatable surrogate for the non-theatre kid audience, adding an element of humour and authenticity to the story.

The film cleverly navigates the single-minded dedication of the camp counsellors to the sacred act of artistic creation, even as they remain blissfully oblivious to the looming foreclosure threatening their beloved camp. Jimmy Tatro's portrayal of Troy, Joan's crypto-fanatic vlogger son, adds a humorous dimension to the narrative with his quirky antics and penchant for acronyms.

Throughout the film, moments of laughter abound, thanks to the cleverly crafted one-liners and the outstanding performances of the cast. The improvisational approach taken by the filmmakers adds a gentle and sweet touch to the humour, making it all the more endearing.

Beneath its humour and satire, Theater Camp carries a deeper message of encouragement for young people to embrace their individuality and be proud of their quirks. It serves as a heartwarming love letter to theatre kids, assuring them that it's perfectly acceptable to be different and that there's a community of like-minded individuals ready to welcome them with open arms.

Theater Camp is a film that balances self-deprecating satire with a profound love for the theatre community. It brilliantly captures the essence of the theatre world while delivering a message of self-acceptance and celebrating the beauty of being unique. With its witty script, well-executed direction, and a cast that exudes passion, this film is a delightful and heartening experience for audiences of all backgrounds. It's a reminder that the world of theatre is a place where dreams come alive, and where misfits find their true home.

Theater Camp was released in NZ cinemas from September 7, 2023

ASTEROID CITY (2023)

World-changing events spectacularly disrupt the itinerary of a Junior Stargazer/Space Cadet convention in an American desert town circa 1955. 

The highly anticipated film, Asteroid City, directed by the renowned Wes Anderson and co-written by Anderson and Roman Coppola, features a star-studded cast including Jason Schwartzman, Edward Norton, Margot Robbie, Scarlett Johansson, Adrien Brody, Willem Dafoe, Bryan Cranston, Jeff Goldblum, and Tom Hanks. Despite the pedigree associated with this creative team and cast, Asteroid City leaves you with a sense of disappointment, as it ventured into a realm of artistic complexity that felt overly convoluted.

Anderson's distinct visual style is immediately apparent in this film, with its predominantly pastel palette and meticulous framing. The characters in this cinematic world almost seem engulfed by the vibrant desert landscape that surrounds them, creating a striking visual experience. However, this arresting visual aesthetic tends to overshadow the narrative substance of the film.

The core narrative of Asteroid City is perplexing and challenging to follow. The story is framed within a play within a play, with Edward Norton portraying Conrad Earp, a New York playwright. The film oscillates between black-and-white sequences that delve into the creation and staging of the play and the colourful desert setting, where the fictional town of Asteroid City comes to life. This intricate narrative structure prompts questions about its purpose and relevance to the overarching storyline.

The central plot revolves around a gathering of Science Kids attending a convention in the desert near the eponymous space rock. However, it becomes evident that these young enthusiasts are not the sole interested parties in this peculiar desert setting. The film's storyline is multi-layered, and viewers must engage in multiple viewings to fully decode its complexities. While Wes Anderson is known for his unique storytelling style, Asteroid City pushes the boundaries of narrative complexity to the point of bewilderment.

Additionally, the film employs black-and-white cinematography to capture the meta-moments during the play's creation, contrasting with the vibrant colours used in the play's events. This stark visual contrast accentuates the film's artistic intentions but does little to clarify its intricate narrative. Humour and deadpan comedy are integral aspects of Wes Anderson's films, and Asteroid City leans heavily on these elements. 

The film boasts a substantial ensemble cast, a hallmark of Anderson's works, unfortunately, the large ensemble cast results in some characters getting lost amidst the multiple narrative layers, which can disrupt the film's overall coherence. Subplots, while individually intriguing, fail to adequately contribute to the overarching narrative, leading to deliberate pacing that often feels slow.

The film's narrative is thought-provoking but overshadowed by its visually arresting aesthetics. Asteroid City may not attract new enthusiasts, but underscores Wes Anderson's commitment to originality and distinctiveness within the cinematic landscape.

Asteroid City is a visually captivating yet narratively labyrinthine film. It challenges viewers with its layered storytelling and pushes the boundaries of how complex a simple story can be. One can only hope that in future endeavours, Anderson will strike a more harmonious balance between his remarkable visual style and his storytelling. Until then, Asteroid City remains an intriguing curiosity within the filmmaker's repertoire—a peculiar, colourful, and confounding cinematic journey.

Asteroid City was released in NZ cinemas from August 10, 2023

LORD OF THE ANTS (2022)

Italian poet, director and playwright Aldo Braibanti is jailed in 1968 due to a fascist-era anti-gay law. A journalist is determined to discover the truth, facing suspicion and censorship.

In Gianni Amelio's Lord of the Ants, we are transported to 1960s Italy to uncover the compelling story of Aldo Braibanti, an Italian playwright, poet, and director who found himself imprisoned due to a consensual relationship with a younger student. This film serves as a poignant mirror reflecting the dark realities of Italian history, offering an eloquent yet heart-wrenching portrayal of the injustices suffered by gay men during that period.

Amelio's narrative mastery unveils a world plagued by institutional intolerance and societal bias. The film does not shy away from the painful truths of the era, casting a harsh light on the struggles and prejudices faced by those who dared to love against societal norms.

One of the film's standout features is the outstanding performances of its three leading actors, including the impressive Luigi Lo Cascio and the rising star Leonardo Maltese. Their portrayals breathe life into the characters, infusing them with authenticity and depth. Additionally, the meticulously crafted period costumes and sets transport viewers back to the 1960s, immersing them in the film's world.

While the script, penned by Amelio along with Edoardo Petti and Federico Fava, attempts to draw parallels with the world of tiny imprisoned insects, it is the film's classical approach and Luigi Lo Cascio's dignified performance that elevates it to a quietly stirring depiction of institutional intolerance. The courtroom drama, inspired by actual transcripts, provides a gripping insight into the prosecution's clever tactics as they sought to discredit Braibanti.

What stands out in the courtroom scenes is the prosecution's clever manoeuvring, using creative wording to target gay Italians under laws that did not explicitly criminalize homosexuality. This historical context adds depth to the narrative, highlighting the pervasive prejudice of the time.

The film also casts a critical eye on the Italian family structure, laying bare the extreme cruelty inflicted upon a queer son rather than acknowledging the truth. The early scenes poignantly establish Aldo's loving relationship with his partner Ettore, and the subsequent electroshock treatment sequences are hauntingly intense.

Lord of the Ants weaves in elements of myrmecology, the study of ant colonies, as metaphors for tight-knit communities, collective well-being, and unity. These elements add layers of complexity to the narrative, offering a thought-provoking exploration of human dynamics.

While the film's initial act may feel fragmented and disjointed, it gains momentum as it progresses, particularly during the courtroom sequences. The film's focus on Braibanti's quiet yet unwavering stand for his sexuality resonates powerfully.

Lord of the Ants may not delve deeply into the more sensual aspects of its subject's life, but it places emphasis on Braibanti's academic and political resistance in the face of adversity. While it may not cater to explicit tastes, its deliberate pacing and courtroom drama make it a captivating and intellectually stimulating experience.

Lord of the Ants is a moving exploration of a dark period in Italian history. It unearths the injustices endured by gay individuals in the 1960s, serving as a platform for reflection on the ongoing fight for equality. With its remarkable performances and historical significance, this film serves as a testament to the resilience of the human spirit in the battle against oppression. 

Lord of the Ants was in selected NZ cinemas from July 27, 2023, as part of the Italian Film Festival

LOOP TRACK (2023)

Following a nervous breakdown, Ian wants to get as far away from humanity as possible. He embarks on a four-day tramp through the New Zealand bush.

Loop Track, directed and penned by the talented Thomas Sainsbury, takes us on an enthralling journey deep into the human psyche. This Kiwi film masterfully navigates the intricate facets of isolation, paranoia, and involuntary human interactions. While its origins as a self-funded, low-budget production may be evident, the film compensates with its meticulous exploration of interpersonal fears and anxieties.

In the film, Sainsbury immerses himself in the character of Ian, a complex individual who, despite being ill-prepared for the challenge, embarks on a solitary trek along one of New Zealand's lengthiest tracks - the loop track. Ian's objective appears straightforward: to elude the inner demons and insecurities that torment him and to steer clear of any human contact during his sojourn through the wilderness.

Loop Track deftly interlaces humour with suspense, crafting an atmosphere that keeps viewers perpetually on edge. As Ian encounters an array of strangers along the trail, the audience keenly senses his immediate dread at the prospect of socializing with these unfamiliar faces. Sainsbury's portrayal of Ian, a socially awkward and pallid character, strikes a chord, evoking both sympathy and cringing empathy from the audience.

Beyond being a mere wilderness thriller, Loop Track stands as an exploration of isolation and the tensions that arise when diverse individuals find themselves thrust into close proximity. The film delves deeply into the intricacies of relationships between strangers and the subtleties of shared experiences. It skillfully plumbs the depths of its characters' psyches, prompting viewers to question their motivations and actions.

One of the film's standout strengths lies in its ability to exploit genuine concerns and dangers associated with solo hiking. The fear of forced interactions with unfamiliar faces, the pervasive uncertainty, and the ever-present paranoia are palpable threads woven throughout the narrative. Sainsbury deftly maintains suspense by leaving the audience in suspense regarding the true nature of the characters and the unfolding events until the final act, where all becomes clear.

While Loop Track maintains an understated and restrained tone throughout, it cleverly employs relatable humour to build and amplify the tension. The interplay between extroverted and introverted personalities, the generational divide between baby boomers and millennials, and the perennial tug-of-war between the desire for solitude and the dread of isolation in a remote locale—all these elements contribute to the film's gripping and relatable atmosphere.

However, it's worth noting that the film's eventual climax may come across as somewhat more whimsical than anticipated. This divergence from the otherwise tightly wound and suspenseful narrative may leave some viewers feeling less satisfied.

Loop Track offers a twisted and spine-tingling odyssey into the depths of the human psyche when confronted with the vast wilderness and the company of enigmatic strangers. While it may carry the hallmark signs of an indie production with its modest budget, it compensates with its surprising psychological depth and examination of human trepidations and anxieties. This film will keep you guessing until the very end and leave you with a newfound appreciation for the intricate dynamics of human relationships, especially when the stakes of survival are high. 

Loop Track is in NZ cinemas from November 2nd, 2023

SIMONE: WOMAN OF THE CENTURY (2021)

Simone Veil's life story through the pivotal events of 20th Century. Her childhood, her political battles, her tragedies. An intimate and epic portrait of an extraordinary woman who eminently challenged and transformed her era defending a humanist message still keenly relevant today.

Simone: Woman of the Century is a film that embarks on the monumental task of chronicling the extraordinary life of French politician Simone Veil. Directed by Olivier Dahan and brought to life by a dedicated cast and crew, the film captures the essence of a woman who left an indelible mark on history. However, while it shines a light on her achievements, it occasionally falls short of delving into the depth of her character.

Simone Veil, who became one of the few women ever inducted into the Académie Française, is a figure of immense significance. Her life story is marked by resilience, courage, and a relentless pursuit of justice. The film introduces us to Veil's remarkable journey, from her childhood in a secular Jewish family in France to her harrowing experiences in Auschwitz and her subsequent rise as a champion for the dispossessed.

Rebecca Marder takes on the role of the young Simone Veil with aplomb. Her portrayal captures the essence of a strong-minded woman who faced adversity head-on. Some of the film's most powerful moments come when it shifts its focus to Veil's traumatic experiences during the Holocaust. These scenes are stirring and sombre, providing a glimpse into the horrors she endured.

As Veil later in life, Elsa Zylberstein's performance is obscured by layers of facial prosthesis meant to make her resemble the elder Veil in photographs. While this may have been done for authenticity, it hinders her ability to convey emotion effectively. It's a challenge to connect with her character on a deeper level when her facial expressions are constrained.

The film employs a non-chronological narrative structure, framing Veil's life as a series of flashbacks. This approach adds complexity to the storytelling but can be disorienting for viewers unfamiliar with her story. However, each individual sequence carries its own emotional weight and draws on the power of memory and witness accounts.

Simone boasts impeccable production values and meticulously designed sets that transport the audience to different periods in Veil's life. It's a visually impressive film that captures the details of her momentous journey with precision.

The film's male characters, unfortunately, fade into the background, overshadowed by the towering presence of Simone Veil. While her story is undeniably powerful, a bit more exploration of the supporting characters could have added depth to the narrative.

One of the film's strengths lies in its unflinching portrayal of the Holocaust. The concentration camp scenes are hauntingly realistic, and the film doesn't shy away from depicting the horrors of that dark period in history. It's a testament to the film's commitment to honouring Veil's experiences.

Dahan's direction and script are largely focused on capturing the essence of Simone Veil's life and placing her within the historical context of her time. The film utilizes Veil's own statements on issues like racism and injustice to underscore her significance. Additionally, the portrayal of the camps, including the death march as the war drew to a close, is both respectful and chilling.

However, there are moments when the film's score threatens to overwhelm the performances, detracting from the subtleties of the storytelling. It's a minor quibble in an otherwise compelling narrative.

Simone is a film that highlights the importance of Simone Veil's contributions to society, particularly in the realm of women's rights. She is a role model for women and a symbol of bravery in the face of unimaginable adversity. The film's runtime of 2 hours and 19 minutes may seem long, but it offers a captivating and profoundly moving experience.

Simone: Woman of the Century is a reverent tribute to a remarkable life. It captures the essence of a woman who fought for unity, equality, and justice in a variety of ways. While the film may not delve as deeply into Veil's character as one might hope, it serves as an important reminder of her enduring legacy. Her story, with its highs and lows, is a testament to the strength of the human spirit and the power of compassion.

Simone: Woman of the Century is in NZ cinemas from October 26th, 2023

OINK (2022)

When 9-year-old Babs receives a pig named Oink as a present from her grandfather, she convinces her parents to keep it under the condition that Oink follows a puppy training. But her parents are not the biggest threat to Oink...

If you've ever wondered what it would be like to watch a pig embark on a whimsical adventure while pooping just about everywhere, then Oink is the movie for you. Director Mascha Halberstad takes us on a journey into the world of stop-motion animation with this 2022 Dutch film, based on Tosca Menten's book, "The Revenge of Oink", It's a film that's both simple and strangely wild, leaving you with mixed feelings of childlike wonder and adult perplexity.

The movie introduces us to Babs, portrayed brilliantly by Hiba Ghafry, who must save a pig from becoming sausages. On the surface, it seems like a straightforward children's story with a predictable plot. But hold onto your hats because Oink takes you on a ride that's more bizarre and amusing than you might expect.

Now, if you were hoping for a movie that strikes a balance between being a heartwarming animal tale for kids and a thought-provoking experience for adults, you might need to adjust your expectations. Oink leans heavily into its childish tone, and subtlety is nowhere to be found. This film is unapologetically bonkers.

The animation and character designs are a real treat. The world of Oink is vibrant and playful, and it's easy to get caught up in the charm of it all. You can't help but root for Babs and her porcine pal, even though the story is, at its core, a bit over-the-top.

But here's where Oink pulls a surprise twist: it weaves in some mature themes like abuse, abandonment, and the complexities of family dynamics. While the film never quite loses its childish humour (yes, there are pig poop jokes aplenty), it also delves into some darker territory, making it a movie that both kids and adults can appreciate on different levels.

The character development in Oink is top-notch, and the relationships between the characters are explored in depth. Babs' journey to save her pig friend becomes a metaphor for growing up and understanding the complexities of human nature. It's a coming-of-age tale wrapped in a quirky package.

Speaking of packages, the stop-motion animation in this film is a visual delight. The attention to detail is reminiscent of the work done by Aardman, the British animation company known for classics like Wallace & Gromit and Shaun the Sheep. The characters and settings are richly textured, adding a tactile quality to the film that's a joy to behold.

Now, let's talk about the elephant—or should I say, pig?—in the room. The film's central message is clear: it advocates for a vegetarian lifestyle, highlighting the negative impacts of the meat industry on our planet. In an era when the meat industry's environmental consequences are at the forefront of public discourse, Oink offers a vegetarian path forward. It suggests that loving animals can bring people together and even make vegetables look absolutely delicious.

As we all know, the conversation around the meat industry is growing, and Oink enters this dialogue through the lens of a charming tale. It's a story of a young girl, a lovable piglet, and the importance of trust within a family. It manages to deliver its message without being heavy-handed, making it accessible to a wide audience.

But let's not forget that stop-motion animation, as charming as it is, has a certain eerie quality to it. There's something inherently unsettling about inanimate objects coming to life, no matter how cute the story. Oink doesn't shy away from this aspect of stop-motion, embracing its quirks and creating a unique viewing experience.

Once the film establishes its destination early on, you can sit back, relax, and enjoy the journey. Oink may seem like a simple children's movie, but it packs a punch with its blend of innocence and deeper context. It's a film that manages to be both heartwarming and thought-provoking, and it's a testament to the power of stop-motion animation in storytelling.

Oink is a delightful dive into the world of stop-motion animation. It may be a tad over-the-top and filled with pig-related humour, but beneath its surface lies a meaningful exploration of family, trust, and the importance of loving animals. So, grab your popcorn, leave your expectations at the door, and let Oink take you on a wild ride through the world of animated pigs and their unexpected adventures.

Oink is in NZ cinemas from October 19, 2023