INDIANA JONES AND THE DIAL OF DESTINY

 

Daredevil archaeologist Indiana Jones races against time to retrieve a legendary dial that can change the course of history. Accompanied by his goddaughter, he soon finds himself squaring off against Jürgen Voller, a former Nazi who works for NASA.

Since his iconic debut as the adventurous archaeologist in 1981's Raiders of the Lost Ark, Indiana Jones has captivated audiences with his daring escapades, whip-cracking skills, and a certain timeless charm. Now, in the fifth instalment of the series, Indiana Jones and the Dial of Destiny, directed by James Mangold, the titular character is back for one last ride. While the film delivers on the expected action and retro nostalgia, it struggles to find a balance between homage and originality, resulting in an entertaining but somewhat uneven experience.

The film opens with a visually impressive sequence set during World War II, showcasing the de-ageing technology used to portray a younger Harrison Ford. Unlike previous attempts in other films, such as Captain Marvel and The Irishman, the CGI techniques employed here are notably more effective, although Ford's unmistakable gravelly voice does occasionally undercut the illusion. The sequence is a thrilling reminder of the franchise's adventurous roots, and it's a testament to Mangold's direction that he captures the essence of the series while making his mark.

As the story unfolds, we find an older Indiana Jones living a somewhat weary existence in 1969, a far cry from his glory days. Harrison Ford, donning his fedora once again, showcases his enduring charm and curmudgeonly persona, which has become a hallmark of the character. The film takes a brief pause to explore the emotional weight Indy carries, including his estrangement from Marian (Karen Allen) and the loss of his son in the Vietnam War. These glimpses into Indy's personal struggles add depth to his character, but the film's pacing occasionally falters as it shifts between action and introspection.

Phoebe Waller-Bridge shines as Helena, Indy's goddaughter, who ropes him back into adventure. Her charismatic presence injects fresh energy into the series, and her chemistry with Ford adds a delightful dynamic to the film. The supporting cast, including Mads Mikkelsen as the enigmatic villain, complements the central performances, although the choice to once again use Nazis as antagonists is somewhat uncomfortable given the current global context.

What should have been a weakness, but turned into one of the film's weaknesses is its visual effects, which have not significantly improved since the franchise's earlier attempts. The action sequences are grand in scale, featuring daring chases and explosive encounters that pay homage to the series' legacy. However, the reliance on relentless action lacks substance, and leads to a sense of monotony, making it challenging to fully invest in the outcome of each set piece.

The film's central artefact, the Dial of Destiny, an astronomical calculator with time-bending powers, serves as the driving force behind the narrative. While the concept is intriguing, the plot occasionally loses coherence as it ventures into the realm of time travel. The transition from archaeological adventure to temporal manipulation feels jarring and at odds with the franchise's established tone.

Mangold's direction is competent, capturing the essence of Indiana Jones' adventurous spirit while infusing some of his own style into the mix. Yet, the film's pacing and structure occasionally feel disjointed, with a string of action scenes strung together without a strong narrative thread to connect them. The result is an experience that, while visually engaging, lacks the emotional resonance that made the earlier films so memorable.

In terms of nostalgia, Indiana Jones and the Dial of Destiny hits the right notes, transporting audiences back to a bygone era of adventure cinema. However, its attempts to balance homage with originality often result in a clash of tones. The film seems torn between adhering to the formula that made the series successful and attempting to break new ground. This struggle is particularly evident in the way the film treats its villains, relying on the iconography of the Nazis while failing to establish them as compelling adversaries.

In conclusion, Indiana Jones and the Dial of Destiny offers a serviceable thrill ride that showcases Harrison Ford's enduring charisma and the franchise's classic adventurous spirit. James Mangold's direction brings a fresh perspective to the series, and Phoebe Waller-Bridge's inclusion injects new life into the narrative. The film's visual effects and action sequences are a feast for the eyes, even if the relentless pacing sometimes leads to viewer fatigue. 

While the movie succeeds in invoking nostalgia and capturing the essence of the Indiana Jones franchise, it falls short in terms of creating a cohesive and emotionally resonant narrative. As a final instalment, it offers a bittersweet farewell to a beloved character; one that could have been more finely crafted.

Indiana Jones and the Dial of Destiny was in NZ cinemas from June 30, 2023, and is expected to be released on Disnery+ by the end of the year

THE EQUALIZER 3 (2023)

 

Since giving up his life as a government assassin, Robert McCall finds solace in serving justice on behalf of the oppressed. Now living in Southern Italy, he soon discovers his new friends are under the control of local crime bosses. As events turn deadly, McCall becomes their protector by taking on the mafia.

Directed by Antoine Fuqua and penned by Richard Wenk, this instalment in the series continues the exploits of Robert McCall, a vigilante portrayed with masterful finesse by Denzel Washington. Set against the backdrop of a picturesque coastal town, the film offers a blend of gritty action, character-driven moments, and the pursuit of salvation.

As the film opens, McCall is recuperating in the wake of a brutal confrontation on a remote Italian island. Battling ruthless adversaries, he demonstrates an affinity for dispatching those who deserve it with a chilling efficiency that echoes Liam Neeson's iconic action roles. However, the cost of such encounters leaves McCall wounded and seeking solace in a small coastal town, a place where strangers quickly become friends and where the ordinary struggle for survival is paramount.

This charming hamlet, however, is not immune to the threats of the outside world. A literal mafia, unflinchingly employing ruthless force, has set its sights on the town. Herein lies the crux of Equalizer 3 — the weary gunslinger, the benevolent townfolk, and the merciless outsiders. The stage is set for a clash of ideologies, a battle for the soul of the town, and McCall's chance at redemption in the midst of it all.

What sets Equalizer 3 apart from its predecessors is its individuality. While there are nods to the past films, the narrative stands largely self-contained, allowing newcomers to dive in without the burden of convoluted backstory. The film weaves a tapestry of themes — from the search for inner peace to the unyielding fight against oppression — all while maintaining an accessible entry point for audiences new to the series.

Denzel Washington, a veritable maestro of charisma, infuses Robert McCall with an undeniable magnetism that propels the film forward. His rapport with Dakota Fanning's CIA agent Emma Collins adds moments of camaraderie and amusement that break the tension of the action sequences. Fuqua deftly captures McCall's evolution, showcasing newfound layers of cynicism and depth that breathe new life into the character.

The film's locales brought to life through the lens of cinematographer Robert Richardson, play an integral role. The coastal town becomes a character in its own right, an oasis of warmth and humanity amidst the brutality. The contrast between McCall's contemplative interactions with the town's inhabitants and the unrelenting violence meted out against the villains creates a dynamic that fuels the narrative's momentum.

Yet, Equalizer 3 isn't without its shortcomings. The subplot involving the CIA, while woven into the narrative, lacks the same level of stakes as the main conflict. Dakota Fanning's character, though well-portrayed, becomes a conduit for McCall's instructions rather than carving her own path. This narrative imbalance sometimes detracts from the overall engagement.

Fuqua's direction embraces the film's R rating with unapologetic violence and gore. McCall's methods, in their brutal and excessive nature, harken back to characters like Marvel's Punisher, prompting audiences to question the very essence of his morality. However, the villains are not just corrupt; they are cruel and vicious, amplifying the satisfaction of seeing McCall transform into a relentless force of justice.

Amidst the blood-soaked streets and bone-crushing violence, moments of camaraderie and tenderness emerge. McCall's interactions with the townsfolk — from the kindly doctor to the amiable bistro owner — build a sense of community and purpose. Fuqua's skilful balance between character beats and carnage weaves a tapestry that resonates on both emotional and visceral levels.

The film's second act, while occasionally elongated and meandering, offers a unique empathetic insight into McCall's inner struggles. Washington's portrayal, marked by newfound sharpness and wit, offsets the pacing drag and infuses the narrative with a layer of complexity that was absent in previous outings.

Equalizer 3 boasts moments of intense violence and gore that cater to fans of the genre. From inventive kills to well-executed action sequences, the film doesn't shy away from embracing its R rating. Special mention must be made of the special effects team and makeup department, who succeed in bringing the violence to life in a spectacularly gruesome fashion.

In the grand scheme, Equalizer 3 is more than its bloody escapades. It delves into themes of salvation and peace, asking whether these goals are still attainable in a world tainted by violence. As Fuqua and Richardson capture the beauty of the Italian town, McCall's interactions with the locals serve as a conduit for cultural exchange and understanding.

Equalizer 3 is a film of contrasts — of contemplative strolls and frenetic action, of camaraderie and brutality. Denzel Washington's charismatic performance, combined with Fuqua's deft direction, ensures an engaging cinematic experience. While the film may stumble at times in its narrative progression, the allure of its charismatic cast and well-executed action sequences cannot be denied. For fans of the genre, Equalizer 3 offers an unapologetic dive into the world of a flawed but resolute avenger.

The Equalizer is in NZ cinemas from August 31, 2023

RUBY GILLMAN, TEENAGE KRAKEN (2023)

 

A shy adolescent learns that she comes from a fabled royal family of legendary sea krakens and that her destiny lies in the depths of the waters, which is bigger than she could have ever imagined.

In an industry inundated with animated films, DreamWorks' Ruby Gillman, Teenage Kraken stands out as a delightful testament to girl power and the complexities of growing up. Directors Kirk DeMicco and Faryn Pearl, alongside a talented writing team comprising Pam Brady, Brian C. Brown, and Elliott DiGuiseppi, have crafted a film that embraces familiar themes while injecting them with fresh energy and vibrant animation. With a star-studded cast including Jane Fonda, Lana Condor, and Toni Collette, the film boasts an engaging narrative that seamlessly blends heartwarming moments, humorous interludes, and an inspiring coming-of-age journey.

The film follows Ruby Gillman, voiced by Lana Condor, an awkward 16-year-old "Canadian" who longs to experience the ordinary life of a teenager, including attending prom. However, life isn't so simple for Ruby, as her family's quirky secret—being kraken's—makes fitting in a challenging endeavour. Toni Collette brings Agatha, Ruby's overprotective estate agent mother, to life with undeniable charisma. Agatha forbids Ruby from approaching the ocean, a significant challenge in a seaside town where all events are aquatic affairs.

Ruby Gillman, Teenage Kraken takes an inspired approach to storytelling by intertwining multiple threads, resulting in a film that transcends its potential clichés. The movie's core themes include generational conflicts, the transformative nature of adolescence, and the journey of self-discovery. The narrative explores these ideas with a delicate balance of humour and poignancy, ensuring that while the beats might be familiar, the execution remains engaging.

Lana Condor's portrayal of Ruby is the film's beating heart. Her voice acting beautifully captures Ruby's earnestness, shyness, and determination, making her a relatable and endearing protagonist. The character's struggles and triumphs mirror those experienced during the tumultuous phase of teenage life, making her journey all the more relatable to both young viewers and adults alike.

The film's visual aesthetics are captivating, with a diverse range of characters brought to life through pleasing character designs. The undersea kraken kingdom, illuminated by vibrant colors and intricate details, serves as a feast for the eyes, inviting audiences to immerse themselves in this fantastical world.

While Ruby Gillman echoes the sentiment of other recent animated films like Pixar's Luca and Turning Red, it possesses its own unique charm. Its nods to classics like Disney's Little Mermaid add a layer of familiarity while DreamWorks' signature twist on fairy tale conventions ensures a refreshing take on the coming-of-age genre.

The film isn't without its flaws, however. The narrative occasionally feels burdened by its ambition, juggling multiple plotlines and character arcs, resulting in a somewhat disjointed second act. Yet, despite these shortcomings, the movie's charm and charisma remain intact, preventing any tedium from seeping in.

The supporting cast adds depth and humor to the film. Sam Richardson's portrayal of Ruby's goofy uncle and Annie Murphy's mean-girl mermaid are particularly memorable. These performances, along with the film's appealing character dynamics, contribute to the movie's overall enjoyment.

Ruby Gillman, Teenage Kraken may not break new ground in the realm of using fantastical powers as metaphors for puberty, but it delivers a vibrant and exuberant experience that's both enjoyable and heartwarming. The film's message of self-acceptance and embracing one's uniqueness resonates powerfully, especially in an age where societal pressures often lead to conformity. It's a tale of growing up, finding one's voice, and learning to appreciate the quirks that make us who we are.

The movie's musical score complements its lively characters and pace, enhancing the overall experience. The charming vertical town with its whimsically designed buildings adds an extra layer of visual delight, showcasing the filmmakers' dedication to creating an imaginative world.

In a landscape brimming with animated features, Ruby Gillman, Teenage Kraken shines as a radiant gem. Its fusion of relatable themes, captivating animation, and an endearing protagonist makes it a worthwhile watch for audiences of all ages. As an empowering girl-power narrative and a heartwarming coming-of-age tale, the film reminds us that embracing our differences and finding our true selves are journeys worth celebrating. So dive into the depths of "Ruby Gillman, Teenage Kraken" and let its undersea adventure wash over you in a tide of laughter, heart, and inspiration.

Ruby Gillman, Teenage Kraken is in NZ cinemas from September 21, 2023

MEG 2: THE TRENCH (2023)

 

A research team encounters multiple threats while exploring the depths of the ocean, including a malevolent mining operation.

In the realm of action-packed aquatic thrillers, Jason Statham's charismatic presence has often provided a life raft for even the most implausible plots. From his iconic roles in The Transporter to Lock, Stock and Two Smoking Barrels, Statham has been a go-to star for delivering high-octane, adrenaline-fueled entertainment. However, even his undeniable magnetism can't fully salvage the sinking ship that is Meg 2: The Trench.

Directed by Ben Wheatley and penned by Jon Hoeber, Erich Hoeber, and Dean Georgaris, Meg 2 attempts to continue the saga of gigantic prehistoric sharks, but it stumbles far off course. While Statham's presence is a welcome sight, the film's disjointed narrative, muddled character dynamics, and overblown plot elements make it a tedious and ultimately unsatisfying sequel.

From the outset, it's clear that Meg 2 struggles to find its footing. The film opens in the Cretaceous period with a convoluted chain of events involving bugs, lizards, and apex predators, all leading up to the return of the Megalodon. While the idea of going bigger and grander than its predecessor seems appealing, the film's execution falters as it introduces a trio of increasingly larger Megalodons and a slew of other aquatic creatures. This surplus of monstrous entities dilutes the impact of the titular shark, leaving it feeling like an afterthought rather than the central focus.

One of the film's major shortcomings is its lack of clear direction. Instead of embracing its B-grade roots and delivering the kind of self-aware, mindless entertainment that viewers might expect from a movie of this nature, Meg 2 takes itself too seriously. The attempts at weaving in a subplot involving unauthorized mining and environmental concerns in the Mariana Trench fall flat, bogging down the pacing and overshadowing the potential for thrilling underwater action.

One of the most disappointing aspects is the lack of chemistry among the cast. Despite Statham's efforts to inject charisma into his role as Jonas, the chemistry vacuum among the ensemble casts a pall over the interactions. Even the inclusion of Jing Wu and Shuya Sophia Cai fails to add depth to the relationships, leaving characters feeling one-dimensional and difficult to invest in.

While the film's visuals do offer some moments of excitement, the CGI often falls short of the mark. The Megalodons, although impressive in scale, lack the uncanny realism necessary to elicit genuine fear. The murky underwater sequences further hamper the visual experience, robbing the film of the vibrant aquatic allure that could have been a saving grace.

Yet, despite the myriad of flaws, Meg 2 does manage to salvage some semblance of entertainment in its final act. The last 40 minutes or so finally deliver the kind of heart-pounding action and suspense that viewers might have hoped for from the start. The use of colours and the adrenaline-pumping pace create a much-needed jolt of energy, briefly rekindling interest. The inclusion of an imperilled canine companion might be a transparent emotional manipulation, but it's a touch of sentimentality that does manage to pull at heartstrings.

Ultimately, Meg 2 struggles to justify its own existence. Despite the admirable attempt to expand the scope of the story, the film's failure to maintain a cohesive narrative and its unwillingness to fully embrace its campy potential result in a lacklustre experience. Jason Statham's charismatic presence and a handful of thrilling moments can't save the film from sinking into the depths of mediocrity. For fans of mindless aquatic thrillers, this sequel offers little more than a disappointingly diluted rehash of its predecessor's formula. As the credits roll, it's hard not to feel that this is one franchise that should have stayed submerged.

Meg 2: The Trench was released in NZ cinemas on August 3, 2023

TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM (2023)

 

After years of being sheltered from the human world, the Turtle brothers set out to win the hearts of New Yorkers and be accepted as normal teenagers. Their new friend, April O'Neil, helps them take on a mysterious crime syndicate, but they soon get in over their heads when an army of mutants is unleashed upon them.

In a world where reboots and adaptations are a dime a dozen, Paramount’s Teenage Mutant Ninja Turtles: Mutant Mayhem manages to bring a refreshing twist to the beloved franchise. Helmed by director Jeff Rowe and backed by the creative minds of producers Seth Rogen, Evan Goldberg, and James Weaver, this new computer-animated instalment stands out as the first big-screen adaptation to truly dive into the adolescent experience of the iconic mutant ninja turtles. Through a captivating blend of animation styles, a dynamic coming-of-age narrative, and a fusion of humour and heart, Mutant Mayhem rejuvenates the turtles' saga while paying homage to its nostalgic roots.

From the very beginning, Mutant Mayhem captures attention with its unique approach to animation. Building on the personalized scrapbook aesthetic introduced in the acclaimed Netflix film, the movie marries an array of animation techniques – from hand-drawn watercolours to sleek CGI – resulting in a grungy sketchpad sensibility that is both captivating and fitting. This unconventional choice emphasizes the film's themes of imperfection, authenticity, and the youthful energy that defines the turtles.

The film opens with the turtles – Leonardo, Michaelangelo, Raphael, and Donatello – engaging in quintessentially teenage behaviour, foregoing their responsibilities for a glimpse of a normal life. The rebellious spirit and awkward gangly nature of adolescence permeate the movie's very form, enhancing the relatability of the protagonists and inviting the audience into their world. The mantra voiced by Splinter (Jackie Chan), their rat sensei and father figure, sets the tone for their journey: the turtles' struggle for acceptance in a world that often rejects difference.

On the trail of the criminal mastermind Superfly (voiced by Ice Cube) and his crew of mutants, the turtles decide to take matters into their own hands, becoming vigilantes in pursuit of justice and heroism. This narrative arc beautifully encapsulates the universal theme of adolescence: the search for identity and belonging in a big, scary world. The film’s writing team, which includes Seth Rogen, Evan Goldberg, Jeff Rowe, Dan Hernandez, and Benji Samit, deftly handles these themes, infusing them with playful humour and a gentle touch.

A remarkable decision made by the filmmakers is casting actual teenagers to voice the turtles. This move injects authenticity and vitality into the characters' interactions, and their chemistry on-screen feels genuine and endearing. As they banter and squabble, their camaraderie feels vibrant and relatable, anchoring the film’s core themes of friendship, growth, and acceptance.

Amidst the fast-paced action and lighthearted banter, Mutant Mayhem takes a deep dive into more intimate forms of acceptance. Jackie Chan delivers a poignant performance as Splinter, navigating the complexities of parenting and guiding his sons through the transition from adolescence to adulthood. His portrayal encapsulates both fierce commitment and quiet contemplation, effectively encapsulating the bittersweet essence of watching one’s children grow.

In terms of visual creativity, the movie stands alongside recent animations like Spider-Man: Into the Spider-Verse in pushing boundaries. The animation bursts with life, with kinetic fight scenes and dynamic sequences that keep viewers engaged. The fusion of 2D and 3D techniques, along with the incorporation of diverse animation styles, contributes to the movie’s unique visual appeal. The film's choice to delve into a more impressionistic, less photorealistic style is an intentional departure from mainstream American animation, further accentuating the turtles' gritty and imperfect nature.

The film’s soundtrack, featuring a nostalgic blend of '80s and '90s hip-hop, adds another layer of depth to the experience. While some action sequences may occasionally become challenging to follow, the film's energy and momentum never waver, keeping viewers on the edge of their seats. The interplay between the turtles' rapid-fire banter and the film’s visual allure maintains an entrancing synergy that captures the essence of teenage camaraderie.

Seth Rogen's Teenage Mutant Ninja Turtles: Mutant Mayhem successfully reboots the franchise, and it's evident that a lot of care has gone into crafting a story that resonates with both nostalgic fans and new audiences. The film traverses familiar territory with the turtles' origin story, allowing audiences to reconnect with the characters' roots and values. However, it's in the third act that the film truly hits its stride, culminating in a resolution that ties together themes of growth, acceptance, and heroism.

The characterizations of the mutants and their interactions remain a highlight. Superfly (Ice Cube), along with his motley crew of mutants, adds complexity and challenges to the turtles' journey. The film's humorous and endearing portrayal of these characters, including warthog Bepop (voiced by Seth Rogen) and rhino Rocksteady (voiced by John Cena), enhances the film’s overall charm and entertainment value.

In a bold move, the movie reimagines TV reporter April O'Neil (voiced by Ayo Edebiri) as a fellow teenager, infusing her character with newfound relatability. This transformation adds depth to her role, aligning her aspirations with those of her mutant friends, and turning her into an integral part of their coming-of-age story.

While the film isn't without its flaws – the third act feeling slightly less impactful and the villain's character falling short of potential – Mutant Mayhem excels in embracing the core spirit of the Teenage Mutant Ninja Turtles. The film's ultimate achievement lies in its ability to deliver a thrilling and heartfelt story that balances nostalgia with fresh perspectives.

Paramount’s Teenage Mutant Ninja Turtles: Mutant Mayhem represents a triumphant entry into the turtles' cinematic legacy. Through its inventive animation, relatable characters, and exploration of themes such as acceptance, growth, and friendship, the film captures the essence of adolescence. This new adaptation successfully intertwines nostalgia with modern sensibilities, delivering a dynamic and visually creative experience that resonates with both old fans and the new generation. As the turtles continue to evolve, they remain as relevant and relatable as ever – a testament to their timeless appeal.

Teenage Mutant Ninja Turtles: Mutant Mayhem is in NZ cinemas from September 14th, 2023

JIGSAW (2017)

The police are at a dead end when investigating numerous ghastly murders in the city that resembles the work of a serial killer who is known to be dead for ten years.

The legacy of the Saw series, often dubbed as "torture porn," has endured through time, outlasting rival franchises in its relentless pursuit of shock value and suspense. Unlike many horror series, the staying power of Saw is attributed not only to its gruesome traps but also to its thematic and character continuity. Jigsaw, the eighth instalment released in 2017, brings back the iconic Jigsaw killer and his intricate web of twisted morality while offering a fresh perspective under the direction of the Spierig brothers.

As other horror franchises fell by the wayside, Saw has maintained its presence, partly due to its thematic and character consistency. The series delves deep into the minds of its victims, as they confront their own sins and shortcomings. This exploration of morality, mixed with the intricate and grisly traps, has created a unique appeal that has resonated with fans over the years.

While the Saw  franchise is known for its gruesome violence, Jigsaw takes a different approach. The Spierig brothers hold back on the arterial spurts and skull cracking until the film's final reel, creating an intriguing dynamic. The focus on suspense and storytelling sets Jigsaw apart from its predecessors, demonstrating the directors' desire to maintain the series' reputation while offering a fresh perspective.

In Jigsaw, the infamous Jigsaw killer returns to the spotlight, raising the body count and leaving detectives puzzled. With Jigsaw's previous acolyte gone, the investigation takes an unexpected turn as the detectives begin to suspect their medical examiner allies of being involved in the mounting deaths. The film's narrative structure aligns with its predecessors, combining the perspectives of the police and the victims to create tension and intrigue.

Cinematographer Ben Nott takes a departure from the series' previous desaturated palette, opting for unbleached daylight and improved camerawork. This visual shift offers a fresh perspective on the grim and gritty world of Saw, while contributing to the film's professional and polished appearance.

Despite its attempt to revitalize the franchise, Jigsaw stumbles in delivering compelling storytelling within its formula. The film follows the familiar pattern of previous Saw movies, focusing on the investigation, the victims' plight, and the inevitable twist. However, the film spends an excessive amount of time building up and concealing its twist, resulting in a lack of decent scares and tension. The reliance on detective sequences at times detracts from the fans' craving for the franchise's signature gore and elaborate traps.

While Jigsaw attempts to delve into the character of the titular killer, it often loses focus on updating his methods for the present day. The film explores Jigsaw's past, but its emphasis on his backstory overshadows his motives and the intricate connection between the victims' crimes and their personalized traps. The once-amusing non-equivalence between crime and punishment takes a backseat, leaving fans with a sense of longing for the series' signature balance between moral dilemmas and violence.

The Spierig brothers aim to infuse Jigsaw with a thriller element, moving away from the conventional horror style. While the film features the series' trademark blood and guts, it strives to strike a balance between suspense and terror. This shift, coupled with the use of inventive torture methods, delivers a concoction of horror and thrills that both satisfy fans and invite a new perspective.

As Jigsaw brings the iconic killer back to the screen, it also reintroduces a familiar blend of rust, metal, blood, and guts that have defined the franchise. The film boasts a series of traps that, while not as outlandish as in earlier instalments, remain inventive in their own right. From acid to lasers to a massive and hypnotic blender, Jigsaw doesn't skimp on the creative and gruesome methods of torment.
While the traps in Jigsaw retain the series' gruesome reputation, they lack the satirical playfulness of previous entries. The countryside setting offers a refreshing change from the industrial warehouses of the past, and the nerve-wracking silo trap captures the essence of the series' better set-pieces.

One of the film's drawbacks lies in its lack of character depth beyond its plot purposes. Characters are overshadowed by the roles they play in the twists, leading to a lack of memorable personalities. The film struggles with connective tissue between major revelations, leaving viewers with unanswered questions about the characters' motivations and actions.

Jigsaw embraces elements of a sequel, prequel, and reboot. While it attempts to offer a fresh take, the film feels familiar in its execution. The surprisingly strong final stretch, buoyed by an unexpected twist, leaves the franchise on a positive note, even as it falls back into familiar territory.

Jigsaw presents itself as both a return to the classic Saw formula and an attempt at reinvention. The Spierig brothers infuse the film with suspense and thriller elements, departing from the conventional horror style. While the film grapples with narrative shortcomings and misses some of the franchise's signature nuances, it delivers the expected blend of gore, tension, and twisted morality that fans have come to expect. As Jigsaw brings the iconic killer's legacy to an end, it offers a blend of nostalgia and freshness that leaves fans with a mixture of satisfaction and longing for more of the twisted puzzles that have defined the Saw franchise.

Jigsaw was released back in 2017, but Saw X is in NZ cinemas from September 28, 2023

SAW: THE FINAL CHAPTER (2010)

As a fierce battle rages over Jigsaw's (Tobin Bell) terrible legacy, survivors seek support from a fellow survivor and self-help guru, who has a few dark secrets of his own. Meanwhile, crooked cop Hoffman (Costas Mandylor) seeks revenge against Jigsaw's wife and an author who has his own story.

As the infamous Saw franchise draws its curtain with Saw: The Final Chapter, it leaves behind a trail of carnage, twists, and gruesome morality lessons. The seventh instalment thrusts viewers back into the diabolical world of Jigsaw's traps, promises, and sadistic puzzles. While the series has always been known for its dark and twisted narrative, this final chapter takes the concept of tangled storytelling to new heights. As it attempts to weave together loose ends, introduce new twists, and unleash a torrent of gore, Saw: The Final Chapter presents itself as both a fitting farewell and a polarizing entry in the franchise.

Opening with an intriguing premise, the film centres on an author who has fabricated tales of surviving Jigsaw's torment. The narrative quickly takes a turn as acolyte Mark Hoffman (Costas Mandylor) kidnaps the author and subjects him to a new series of tormenting trials. The film's structure is quintessential Saw, relying on its trademark flashbacks and nested storytelling to fill in gaps and resolve lingering mysteries. In its quest to provide answers and closure, Saw: The Final Chapter dredges up forgotten characters, expands the roster of Jigsaw victims, and unravels the grizzly fate of key figures.

Unsurprisingly, the film leans heavily into its reputation for gore and sadistic traps. The goriness takes centre stage, possibly making it the most gruesome entry in the franchise. The creators unapologetically indulge in their fetishistic delight in gore, unleashing an onslaught of disturbing visuals that both fascinate and repulse. However, the film's aesthetics leave something to be desired. The colour-grading renders characters practically jaundiced, and the use of bright pink in on-set gore effects feels discordant and jarring on the home video release.

The series finale, Saw: The Final Chapter grapples with the challenge of resolving the complex web of its narrative. Flashbacks within flashbacks and an abundance of twists keep viewers engaged, albeit sometimes struggling to keep up. The film introduces the concept of a Jigsaw support group and exploits the idea of a media-managed self-help guru exploiting Jigsaw's victims, which resonates in today's era of social media influencers. The story moves towards its twist-heavy finale, aiming to satisfy the franchise's followers with revelations that add depth and dimension to the overarching narrative.

The film begins by updating a memorable scene from the original Saw, with Dr. Gordon's (Cary Elwes) gruesome self-amputation. This intense opening sets the tone for the ensuing brutality, promising an experience that remains true to the series grim aesthetic. While Saw: The Final Chapter struggles with the task of maintaining momentum in a storyline that has already seen numerous twists and turns, it manages to infuse moments of tension and suspense.

As the film delves into the twisted mind of Jigsaw, it doesn't shy away from mockery. The concept of using death traps for self-improvement is presented in a manner that highlights the absurdity of such notions. Amid the grim proceedings, one particularly gruesome death takes a surprising turn when it's revealed to be a dream, offering an interesting change of pace from the usual solemnity of the franchise.

Saw: The Final Chapter offers a fitting farewell to a franchise that has made a name for itself through shock, gore, and intricate storytelling. With a mixture of tension, gratuitous gore, and unexpected twists, the film delivers an experience that satisfies fans while tying up loose ends. As the series reaches its conclusion, Saw: The Final Chapter stands as a polarizing entry that encapsulates the essence of a saga defined by its willingness to push boundaries, question morality, and confront the darkest corners of human nature.

Saw: The Final Chapter was released back in 2010, but Saw X is in NZ cinemas from September 28, 2023

SAW VI (2009)

The legacy of the Jigsaw Killer continues as his successor Mark Hoffman follows his instructions while his wife carries out his final request.

In the twisted realm of Saw, where torture becomes a twisted form of moral education, Saw VI takes a daring turn by tapping into societal issues and spotlighting predatory lenders and amoral insurance companies. The sixth instalment of the franchise boldly brings its morality tale to the forefront, using its trademark gruesome traps and mind-bending puzzles to cast a spotlight on the injustices of the modern world. With an unabashedly political edge, Saw VI delves deep into the dark corners of the healthcare system, unleashing a scathing critique while never sacrificing the visceral horror that fans have come to expect.

While the Saw series has always been centred on moral dilemmas, Saw VI shifts its lens to point directly at the healthcare system. The film's main game centres on William (Peter Outerbridge), a high-ranking executive at an insurance company. The cruel twist lies in the fact that William was the one who denied medical coverage to John Kramer (Tobin Bell), the original Jigsaw, when he needed it most. In a world where Jigsaw's games are about making choices, William is forced to face the consequences of his own decisions as he navigates a series of death traps.

Saw VI doesn't hold back in delivering its gruesome, morality-driven message. William's journey through the death traps forces him to make life-and-death choices that mirror the ruthless decisions he made as a corporate executive. The film's tension escalates as the audience witnesses the visceral and agonizing results of William's choices, leaving them squirming in their seats. The traps are intricately designed to challenge not only William's physical endurance but also his moral compass.

Writers Marcus Dunstan and Patrick Melton shine in Saw VI, crafting a tightly woven script that stands out in comparison to the previous entries. The film strikes a balance between familiar elements that will delight devoted fans and a compelling narrative that remains accessible to newcomers. Flashbacks and series-long references enhance the experience for longtime fans without overwhelming the general pace of the film, making it an enjoyable horror fix for all.

One of the film's most striking achievements lies in its ability to link the franchise's horror with real-world issues. Saw VI weaves a chilling narrative that critiques the predatory practices of insurance companies and the struggles of the American healthcare system. By connecting these themes to John Kramer himself, the film adds layers of depth and irony to the storyline and traps. This unexpected layer of social commentary adds a thought-provoking dimension to the horror, making Saw VI more than just a gore fest.

Directed by Kevin Greutert, Saw VI balances its intense horror with moments of tension and suspense. The film introduces Costas Mandylor's portrayal of Mark Hoffman as a villain with stakes, finally giving depth to a character set up as Jigsaw's successor. While the games in Saw VI may not be the most innovative, they remain grounded in a disturbing reality that makes them all the more horrifying.

Saw VI emerges as a bold instalment that skillfully marries its trademark horror with a potent dose of societal critique. By focusing on the predatory nature of insurance companies and healthcare injustices, the film transforms its moral education into a deeply political statement. It juggles a tight script, a scathing narrative, and horror that ranges from visceral to thought-provoking. While not without its flaws and moments that diverge from the franchise's ethical principles, Saw VI successfully delivers a horror experience that is both chilling and reflective, leaving a lingering impact long after the credits roll.

Saw VI was released back in 2009, but Saw X is in NZ cinemas on September 28, 2023

SAW V (2008)

Following Jigsaw's grisly demise, Mark Hoffman is commended as a hero, but Agent Strahm is suspicious and delves into Hoffman's past. Meanwhile, another group of people are put through a series of gruesome tests.

As the Saw franchise continued its blood-soaked journey into the realms of horror and psychological torment, the arrival of Saw V in 2008 brought with it a fresh dose of cat-and-mouse intrigue and disturbing games. Building on the twisted legacy of its predecessors, Saw V introduces a new layer of complexity to the narrative, diving into the origin story of one of the franchise's most enigmatic characters. Amidst the gruesome traps and visceral violence, the film grapples with questions of trust, survival, and the dark underbelly of human nature.

Saw V adds a new layer of tension to the franchise by focusing on the cat-and-mouse conflict between FBI agent Strahm (Scott Patterson) and the "hero" cop Hoffman, who was unveiled as a Jigsaw associate in the previous instalment. This dynamic provides a fresh source of drama, with Strahm rightfully suspicious of Hoffman's motives and role in the twisted games. The battle of wits between the two adds an engaging layer to the narrative, keeping audiences on the edge of their seats as they navigate a world of deception and death.

Hoffman takes centre stage in Saw V, as the film delves into his past and unveils his origin story. Flashbacks become a crucial narrative device, intertwining Hoffman into the events of the earlier films and shedding light on his motivations and sinister inclinations. This exploration of his character adds depth and complexity to the franchise, offering a glimpse into the mind of a character whose dark journey mirrors that of the series itself.

One of the distinctive elements of Saw V is its non-linear narrative structure. The film begins before the autopsy of John Kramer, a chronological choice that adds layers to the unfolding events. By exploring events before Kramer's death, the film reveals the intricate timeline of the series, painting a fuller picture of the complex web of characters and their connections.

The main game of Saw V centres around a group contest, where a collection of unsavoury individuals must work together to escape a prison of torture devices. The film masterfully plays with the dynamics of cooperation and betrayal, presenting characters who must overcome their own instincts for self-preservation. This tug-of-war between cooperation and backstabbing adds a layer of suspense and intrigue to the story, making it one of the most captivating murder-house dynamics in the franchise.

As the franchise progresses, Saw V takes on the responsibility of clearing up lingering questions that had muddled the previous films. The film offers answers to some of the puzzles left behind by Saw III and Saw IV, aiming to provide closure and clarity to the franchise's intricate narrative.

David Hackl takes the directorial reins for Saw V, and his background as a production designer is evident in the film's visual style. The dark, eerie atmosphere of the film is maintained, with settings that exude an unsettling aura. The ultra-creepy score and eerie sound effects further contribute to the demented ambience, amplifying the unsettling nature of the franchise.

Saw V enters the fray with a cat-and-mouse dance of death and intrigue, driven by the conflict between Strahm and Hoffman. While the film offers a glimpse into Hoffman's origin story and aims to clarify some of the franchise's mysteries, it sometimes finds itself caught in the web of its own complexities. The central game of survival injects fresh dynamics into the series, exploring themes of trust, cooperation, and betrayal in a visceral and suspenseful manner. While Saw V might not reclaim the unique brilliance of its predecessors, it still provides fans of the franchise with a chilling and gripping experience, further expanding the saga of moral quandaries, visceral violence, and the darkness that resides within us all.

Saw V was released back in 2008, but Saw X is in NZ cinemas from September 28, 2023