WHAT HAPPENED TO MARY-ANNE? (2025)

An electrifying tale of a trans woman balancing duty and desire, family and freedom. By day, she’s a devoted night nurse and caregiver; by night, she rocks out to Led Zeppelin and sings at a dive bar—dragging her bedridden father along. 

What Happened to Mary-Anne? is an electrifying theatrical experience that seamlessly weaves together the raw power of rock and roll with a deeply moving narrative about identity, family, and self-discovery. At its heart, the story follows Mary-Anne, a trans woman with an unquenchable passion for rock music. Beneath her dutiful exterior as the youngest of eight siblings, a night nurse, and a devoted caretaker to her bedridden father, lies a rebellious spirit that comes alive under the neon lights of a grungy dive bar. This show is a wild, unapologetic celebration of rock anthems, delivered with a powerful dramatic punch that will leave audiences exhilarated and emotionally moved.

From the moment the lights dim and the first electrifying guitar riff echoes through the theatre, What Happened to Mary-Anne? commands attention. Directed by Benjamin Kilby-Henson, the production is a masterclass in balancing bold humour with intense drama. The show draws its energy from the musical stylings of rock legends such as Stevie Nicks, Kiss, Blondie, and Fleetwood Mac, performed live by the talented ensemble known as The Grotesque – Māia Huia, Bray Jeffrey, and Rhohil Kishore. Their mastery of rock and roll is impeccable, enhancing every scene and serving as an emotional amplifier that adds depth and vibrancy to the narrative.

Mary-Anne’s story is one of contrast and complexity. By day, she is the obedient daughter and dependable sibling, constantly running errands and tending to her father’s every need, earning her place within her ultra-conservative family through quiet servitude. Her siblings barely tolerate her, accepting her presence only because of her usefulness. But by night, she transforms into a fearless rock star, belting out secular anthems at The Pig Bucket, a seedy dive bar where she can unapologetically be herself.

This duality is captured brilliantly by Brady Peeti, whose performance as Mary-Anne is nothing short of mesmerising. Peeti masterfully navigates the character’s emotional journey, from moments of vulnerability and longing to explosive expressions of liberation. It is this juxtaposition – the pious, dutiful daughter versus the audacious rock star – that makes Mary-Anne’s story so compelling. As she wrestles with her identity and the weight of her family's expectations, the audience is taken on a journey of self-discovery that is as heart-wrenching as it is empowering.

One of the greatest achievements of What Happened to Mary-Anne? is its ability to balance comedy and drama without diminishing the impact of either. The show tackles heavy themes, including religious piety, family rejection, and the struggles of self-acceptance. Yet, these are expertly interwoven with laugh-out-loud moments and clever comedic elements that keep the story from becoming overwhelming.

The narrative is peppered with witty dialogue and situational humour that highlight the absurdity of Mary-Anne’s predicament, such as her siblings’ obliviousness to her double life and the ludicrous situations she navigates to preserve her secret. Game show elements are cleverly introduced to engage the audience, breaking the fourth wall and inviting viewers to become part of Mary-Anne’s chaotic world.

Lighting is also used ingeniously to accentuate shifts in tone, illuminating moments of introspection or amplifying the energy during musical numbers. These seamless transitions allow the story to flow naturally between poignant dramatic scenes and uproarious comedic interludes, creating a dynamic viewing experience that keeps audiences on the edge of their seats.

The music in What Happened to Mary-Anne? is not merely an accompaniment; it is the lifeblood of the show. The setlist features iconic rock anthems, including Rock and Roll All Nite by Kiss, White Rabbit by Jefferson Airplane, Call Me by Blondie, Cherry Bomb by The Runaways, and The Chain by Fleetwood Mac, to name a few. Each song is strategically placed to enhance the emotional weight of the scenes, reflecting Mary-Anne’s internal turmoil, her moments of defiance, and her ultimate liberation.

The live band, The Grotesque, delivers these classics with passion and precision, capturing the raw energy of rock and roll. Their performances are tight, energetic, and authentic, transporting the audience to a smoky, crowded bar where the music is loud, gritty, and unapologetically bold. Their musical prowess is matched only by Brady Peeti’s vocal delivery, which is both powerful and nuanced, bringing new life to these legendary tracks while maintaining their nostalgic charm.

The music not only entertains but also serves as a narrative device that drives the story forward. It punctuates dramatic revelations, provides comedic relief, and underscores Mary-Anne’s emotional journey. By allowing the audience to feel the highs and lows through the pulse of rock music, the show creates an immersive experience that resonates long after the final chord is struck.

At its core, What Happened to Mary-Anne? is a story about identity, acceptance, and the courage to be oneself. It portrays the universal struggle of seeking validation and belonging, while bravely confronting the prejudices and expectations imposed by society and family. Mary-Anne’s journey is one of resilience and self-empowerment, as she reclaims her voice and unapologetically embraces who she truly is.

The narrative explores the pain of being misunderstood and the consequences of living a double life. It examines the cost of people-pleasing and the toll of suppressing one’s true self to fit societal norms. Yet, amidst the drama and heartbreak, the story is also a celebration of freedom, rebellion, and the transformative power of music.

The character’s internal conflict is relatable to anyone who has felt the pressure to conform or has struggled to find their place in the world. This relatability, combined with the show’s vibrant humour and infectious energy, gives What Happened to Mary-Anne? mainstream appeal, ensuring that audiences from all walks of life will find something to connect with.

What Happened to Mary-Anne? is a triumph that defies conventional storytelling. It is a bold, brash, and beautifully crafted production that resonates on an emotional level while delivering the thrill and excitement of a live rock concert. With an outstanding cast, a killer soundtrack, and a poignant narrative that tugs at the heartstrings, it is a show that captivates from start to finish.

This is not just a musical; it is an experience – one that leaves you laughing, crying, and cheering for Mary-Anne as she rocks her way to freedom. If you have the chance to see What Happened to Mary-Anne?, don’t miss it. It’s a theatrical masterpiece that redefines the boundaries of comedy, drama, and rock and roll.

The short season of What Happened to Mary-Anne? runs from the 11th - 15th Feb, 2025 at Auckland's Loft at Q Theatre. Tickets can be purchased here

Duration: 60 minutes (no intermission)

TINĀ (2025)

Mareta, grieving her daughter's death in the Christchurch quakes, becomes a substitute teacher at an elite school. Unexpectedly, she discovers students lacking guidance and care, prompting her to provide inspiration and support.

Miki Magasiva’s Tinā is a film that wears its heart on its sleeve. It follows a well-established formula—grief, healing, and unexpected connections—but does so with sincerity, making it a deeply moving cinematic experience. Though predictable in its structure, it is a film that resonates, offering a poignant look at loss, cultural identity, and the power of community.

At the centre of Tinā is Mareta Percival, played by Anapela Polataivao in a stunningly heartfelt performance. Mareta is a woman struggling to rebuild her life following the tragic loss of her daughter in the Christchurch earthquakes. In an attempt to regain a sense of purpose, she takes on a temporary teaching position at an elite private school, where she crosses paths with Sophie (Antonia Robinson), a student dealing with personal struggles of her own.

The relationship between Mareta and Sophie is at the film’s emotional core, and their dynamic unfolds in a way that is both touching and familiar. Mareta’s affection for Sophie suggests she sees in her a reflection of the daughter she lost. This is solidified in a moment of crisis, where Mareta offers Sophie a keepsake from her late child. While this storyline risks falling into well-worn tropes—where a character of colour’s narrative supports a white protagonist’s journey—the film remains grounded by its strong performances and genuine emotional depth.

One of Tinā’s greatest strengths is its portrayal of Samoan culture. While the film doesn’t entirely centre the Pacific Islander experience in a way that redefines the genre, it does offer a warm introduction to Samoan traditions, language, and values. The dialogue naturally moves between English and Samoan, immersing audiences in a bilingual experience that adds authenticity. Some Samoan phrases are left untranslated, allowing Pacific Islander viewers to feel an added layer of recognition and connection.

The cinematography deserves praise, with beautifully composed shots that capture both the warmth of Samoan community gatherings and the stark contrasts of Mareta’s world in an elite New Zealand school. The film’s use of music is another highlight. The formation of a school choir not only brings Mareta and Sophie closer but also serves as a metaphor for collective healing. Music is a universal language, and here, it becomes a tool for resilience and transformation.

For all its emotional impact, Tinā does little to surprise. The narrative unfolds exactly as one might expect, with few deviations from the standard arc of a grief-driven redemption story. The racial and class prejudices depicted in the film feel familiar, and while they are handled sensitively, they don’t necessarily offer fresh insights.

That said, the film’s predictability does not lessen its emotional power. There is something inherently comforting about a story that delivers exactly what it promises—one that tugs at the heartstrings, elicits tears, and ultimately offers hope.

Much of the film’s success can be attributed to Polataivao’s performance. She carries the film with grace, exuding warmth and wisdom, making Mareta feel like a real, lived-in character. Antonia Robinson also delivers a compelling performance, and their on-screen chemistry is genuine. The supporting cast, while sometimes bordering on caricature, helps maintain a balance between the film’s heavier themes and its moments of levity.

The title Tinā holds significant meaning in Samoan culture, representing a mother figure, a respected elder who nurtures and guides others. Mareta embodies this role not only for Sophie but for the entire school choir, offering them support and wisdom as they navigate their own struggles. The film gently addresses cultural stigmas around emotional expression in Samoan communities, highlighting the importance of openness and support in the healing process.

While Tinā may not reinvent the genre, it is a deeply affecting film that succeeds in what it sets out to do—deliver an uplifting, heartfelt story about grief, healing, and the strength found in community. It ticks all the boxes, and sometimes, that’s exactly what’s needed.

Tinā will be released in NZ cinemas from February 27, 2025

BECOMING LED ZEPPELIN (2025)

The first ever authorised documentary. Becoming Led Zeppelin explores the origins of this iconic group and their meteoric rise in just one year against all the odds.

Bernard MacMahon’s documentary Becoming Led Zeppelin presents a visually stunning and immersive exploration of Led Zeppelin’s formation and early years. Packed with rare and previously unseen footage, electrifying performances, and music-driven storytelling, the film offers an intimate look at the band's origins. It is the first officially sanctioned documentary on Led Zeppelin, with the surviving members—Robert Plant, Jimmy Page, and John Paul Jones—providing direct insight into their journey. The film also includes excerpts from an unheard interview with the late John Bonham, making it an essential watch for dedicated fans.

However, despite its visual grandeur and wealth of material, Becoming Led Zeppelin struggles to go beyond the surface. While it meticulously chronicles the band members' early careers and musical influences, it avoids delving into the complexities and controversies that often define a great rock documentary. The result is a sanitized and celebratory film that, while enjoyable for die-hard fans, lacks the depth to engage a broader audience.

The first act of Becoming Led Zeppelin is where the documentary shines the brightest. Through candid interviews with Plant, Page, and Jones, we get an insightful look into their formative years. The film traces their involvement in various bands and projects before Led Zeppelin’s inception, highlighting their influences and musical evolution. Page, for instance, discusses his work as a session musician, including his contributions to Shirley Bassey’s Goldfinger, while Plant recalls being inspired by Little Richard and Sonny Boy Williamson. Jones and Bonham’s early musical experiences are similarly explored, painting a picture of four individuals who were destined to come together.

The documentary does an excellent job of capturing the band’s influences, particularly their reverence for Black blues musicians. The members speak at length about how the blues shaped their sound, and Page provides detailed breakdowns of the band’s musical style. The film also acknowledges the impact of 1960s British skiffle music, with Page citing Lonnie Donegan as a major influence. These segments offer fascinating insights into the artistic foundation that would ultimately define Led Zeppelin.

Beyond musical influences, Becoming Led Zeppelin effectively portrays the London music scene of the 1960s. Anecdotes about navigating the industry, collaborating with other musicians, and breaking into the American market provide engaging context. The band’s early tours in the U.S. are highlighted as pivotal moments in their rise to fame, with performances at Fillmore West and the Newport Jazz Festival showcasing their rapid ascent. These aspects of the documentary are well-executed and provide a compelling look at how Led Zeppelin established itself in the rock world.

While the first act offers an engaging narrative, the documentary’s later sections become more fragmented. Rather than building towards a climax, the film devolves into a collection of full-length performances and band interviews that lack a clear direction. Each song is played in its entirety, which will delight hardcore fans but may test the patience of casual viewers. Instead of using performances as a way to illustrate the band’s growth, the film simply presents them one after another, leading to a somewhat bloated and meandering second half.

A major issue is the absence of a strong narrative thread. Unlike recent documentaries on The Beatles, which provided rich historical context and emotional depth, Becoming Led Zeppelin feels more like an extended concert film than a compelling story. It’s an authorized documentary in the truest sense—one that is meticulously curated to align with the band’s preferred narrative.

Adding to this, the documentary avoids discussing anything remotely controversial. The sex, drugs, and excesses of rock and roll are reduced to mere footnotes. Plant briefly acknowledges that there were "many drugs and many girls," but that’s as far as the documentary is willing to go. There’s no exploration of the band’s infamous escapades, the tensions that arose during their peak years, or even Bonham’s tragic death in 1980. This refusal to address the darker aspects of their story makes the film feel incomplete.

The lack of external perspectives further weakens the documentary. There are no interviews with producers, managers, fellow musicians, or critics—only the band members themselves. While it’s fascinating to hear their reflections, this insular approach means the documentary lacks critical analysis. The film also skips over some of their most iconic songs. While Becoming Led Zeppelin focuses on their formation, the absence of tracks like Black Dog, Stairway to Heaven, Kashmir, and Immigrant Song feels like a missed opportunity, particularly for younger viewers who may not be familiar with the band’s deeper cuts.

Without a broader perspective, the documentary ultimately serves as an exercise in myth-making rather than a thorough examination of Led Zeppelin’s impact. The band’s journey from struggling musicians to rock legends is fascinating, but Becoming Led Zeppelin tells only half the story. It offers a nostalgic trip for devoted fans but fails to provide the insight needed to win over new ones.

One aspect of Becoming Led Zeppelin that is undeniably impressive is its use of archival footage. The film benefits from the sheer amount of material available, demonstrating how modern music documentaries can craft compelling narratives using extensive recorded history. Seeing the band’s early rehearsals, studio sessions, and first live shows provides a level of immersion that wasn’t possible in older rock documentaries. This raises interesting possibilities for future documentaries, particularly for artists who have been extensively filmed throughout their careers.

However, Becoming Led Zeppelin ultimately squanders this opportunity by failing to craft a meaningful story. The film’s focus on full-length performances over deeper exploration limits its reach. For devoted fans, the chance to experience the band’s raw energy on the big screen—especially in IMAX—is thrilling. But for those unfamiliar with Led Zeppelin, the film provides little incentive to dig deeper into their music.

Becoming Led Zeppelin is a beautifully crafted but ultimately flawed documentary. It offers a detailed look at the band’s formation, their musical influences, and their early rise to fame. Fans will undoubtedly appreciate the rare footage and immersive concert sequences, but the film’s lack of narrative cohesion and refusal to explore deeper themes make it less compelling for general audiences.

By choosing to present an authorized and sanitized version of their history, the documentary avoids the drama that often makes rock documentaries truly gripping. It’s a love letter to Led Zeppelin rather than a critical examination of their legacy. As a result, Becoming Led Zeppelin succeeds as an audiovisual spectacle but falls short as a definitive portrait of one of rock’s greatest bands. For those already devoted to Zeppelin, this film is a treat. But for those looking to understand why they became legends, it leaves too many questions unanswered.

Becoming Led Zeppelin is in NZ cinemas nationwide from February 8, 2025

Runtime: 137 minutes 

Classification: E