The fate of ancient China rests on the shoulders of one young girl, who must find the last remaining dragon egg and fulfill her destiny.
Dragonkeeper is an ambitious animated feature directed by Jianping Li and Salvador Simó, adapted from Carole Wilkinson’s beloved 2003 novel. As a Spanish-Chinese co-production, the film seeks to blend cultural richness with the universal themes of courage, hope, and the eternal struggle between good and evil. While the movie offers some stunning visuals and a story with plenty of potential, certain elements, particularly the voice acting and narrative structure, hold it back from truly soaring.
Set in ancient China, Dragonkeeper follows Ping, a brave young servant girl who discovers she has a vital role in protecting the last dragons from extinction. Her journey is fraught with danger as she faces off against ruthless dragon hunters, imperial soldiers, and her own doubts. The film does a good job of highlighting the clear conflict between good and evil, which serves as a reliable backbone for the narrative.
While the themes of darkness and light are compelling and well-intentioned, the film sometimes leans too heavily into its darker moments. Scenes of dragon mutilation and peril might be too intense for younger children, making it better suited for older audiences. At the same time, the overarching message of hope and resilience shines through, ensuring that the film isn’t entirely bleak.
One of Dragonkeeper's greatest strengths is its visual design. The landscapes, inspired by Himalayan and Chinese settings, are beautifully rendered. The architecture and natural scenery are detailed and immersive, providing a rich backdrop for the story. The dragons, in particular, are animated with care, their movements and reptilian features feeling authentic and grounded.
However, while the environments and background visuals are impressive, the character designs are relatively simple and lack the same level of detail. This simplicity sometimes diminishes the emotional depth that the story is aiming for. Additionally, the film’s darker tone is reflected in its colour palette, which occasionally makes scenes appear murky and hard to follow. A touch more vibrancy or strategic lighting could have helped balance the visuals and kept viewers more engaged.
Unfortunately, the voice acting is one of the film’s weaker points. Despite featuring well-known talent like Bill Nighy, the performances come across as flat and lacking in personality. Dialogue that should be brimming with emotion often falls short, leaving key moments feeling underwhelming. The decision to dub the film into English with British accents might help broaden its audience, but it sacrifices some of the authenticity and nuance that a Mandarin version with subtitles could have delivered.
Character development, especially the relationship between Ping and the dragon, also feels somewhat rushed. Ping’s transformation from a passive observer to an active hero is essential to the story, yet it doesn’t unfold as organically as it could. Their bond, which is meant to be the heart of the film, lacks the depth and gradual growth that would make their connection truly moving. The script’s tendency to skip over key developmental moments leaves gaps that make the narrative feel disjointed.
The film’s structure is another area that could benefit from refinement. The first act, while dramatic, can be confusing due to unclear introductions and sudden time jumps. The second act feels somewhat absent, causing a noticeable gap in the story’s progression. This leaves the third act with the burden of resolving plot points that haven’t been fully established. The lack of humour or lighter moments to balance the drama also makes parts of the film feel monotonous.
However, the action sequences are well-executed and keep the plot moving forward. These scenes provide the necessary energy to maintain interest, even if the surrounding narrative falters.
Despite its flaws, Dragonkeeper remains a film with significant potential. Its gorgeous visual design and earnest storytelling suggest that the studios involved have a bright future ahead. With improvements in voice acting, clearer character development, and a more cohesive narrative, their next project could truly shine.
For audiences who appreciate animated films with darker themes and stunning visuals, Dragonkeeper offers an engaging, if imperfect, adventure. While it might not fully achieve the heights it aims for, it’s a commendable effort and a reminder that even in dark moments, there is always hope.
Dragonkeeper will be released in NZ cinemas from January 16, 2024